| Artist | Track | | Album/Label |
| Gerre Hancock | Fanfare I | | Praise the Lord Argo |
| Kronos Quartet | Crumb: Black angels | | Black Angels Electra Nonesuch |
| Reykjavík Wind Quintet | Hallgrímsson: Intarsia | | Nordic Music for Wind Quintet Chandos |
| Northern Chamber Orchestra | Symphony no. 26 in D minor ("Lamentatione") | | Joseph Haydn: Symphonies nos. 26, 35 & 49 Naxos |
| London Oboe Band | Croft: "Round" from Courtship a-la-mode | | Playhouse Aires Harmonia Mundi |
| Tallis Scholars | Victoria: Tenebrae factae sunt | | Tenebrae Responsories Gimmell |
| Westminster Abbey Choir | Innocence | | John Tavener: Innocence Sony Classical |
| London Oboe Band | Croft: The Funeral; or Grief a-la-Mode | | Playhouse Aires Harmonia Mundi |
| Harry Watters | Gershwin songs (arr. Grimes) | | S'wonderful: The Music of George Gershwin Centaur |
| David Read | Walton: Touch her soft lips and part (arr. Wills) | | Music for Organ and Brass Helios |
| The Clerkes of Oxenford | Sheppard: In manus tuas | | The Clerkes of Oxenford: Sheppard and Tye Proudsound |
| Carolyn Watkinson | He was despised | | Handel: Messiah L'Oiseau-Lyre |
| Musica Contexta | Vexilla regis | | Palestrina: Music for Good Friday Chaconne |
| Choir of King's College, Cambridge | Finzi: Lo, the full, final sacrifice | | Bax / Finzi: Choral Music EMI |
| Prager Kammerchor | Bruckner: Christus factus est | | Bruckner: Motetten Orfeo |
| Filharmonie Schwäbisch Gmünd | Consummatum est | | Franck: Les sept dernières Paroles du Christ en Croix Audite |
| Arthur Wills | Elgar: Nimrod | | Music for Organ and Brass Helios |