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Alex G / Beach Music
Album:Beach Music Collection:General
Artist:Alex G Added:10/2015
Label:Domino Recording Company 

A-File Activity
Add Date:2016-01-25 Pull Date:2016-03-27 
Week Ending:27 Mar20 Mar13 Mar28 Feb21 Feb14 Feb7 Feb31 Jan
Airplays:11111243

Recent Airplay
1.Sat, 29 Jul 17:dog
night tapes 12
4.Sat, 19 Mar 16:Snotty The Kitten
The Snotty The Kitten Show
2.Thu, 18 May 17:georgie boy
serenity now
5.Thu, 10 Mar 16:aandreaa
radio seven
3.Thu, 24 Mar 16:Telepathic Juan
In The Year One Thousand, Eight Thousand [W16I]
6.Sat, 27 Feb 16:Mr. Tumnus
Narnia

Album Review
DJ Aporia
Reviewed 2016-01-08 
Stunning. Lush, acoustic, emo ballads and lamentations. The guitar figures prominently throughout the record. This album sounds fantastic from front to back for existential late night listening. Reminds me a lot of Ryan Adams’ back catalogue at times. RIYL Pavement, Mitski, Elvis Depressedly. FCC: 2

1. (0:49) Intro - Shrieky guitar, barely discernible vocals, ominous bassline and drumming.
2. (2:40) *Bug - FCC: f***. Woolen acoustic guitar and soft synth line. Changes to more prominent vocals and less reverb around 1:00. Alternates with the amount of effects and the prominence of vocals.
3. (2:50) **Thorns - Emo ballad. Starts off slow and acoustic. Greaaaat new, penetrating guitar line introduced at 0:56 which is repeated about a minute later.
4. (2:51) **Kicker - Builds off of the intensity that was steadily building with Thorns. Opens with electric strumming and angsty vocals about feeling low. Nice, oddly satisfying occasional hammer-ons with the guitar. Alternations of a brief single note on electric guitar with acoustic strumming, beginning at 2:00.
5. (4:40) *Salt - Another sad emo song punctuated by occasional deep bass notes. Bass is prominent here in a way it’s not in other songs on the album. Quivering synth line comes in ~2:20. Haunting vocals dealing with watching over a suffering lover. What sounds like children’s voices comes in singing “ah’s” around 3:15.
6. (1:53) **Look Out - 20 second instrumental intro reminds me of cavernous church music. Glittering keyboards cascade through. Reverb. So much reverb. Stunning interlude.
7. (2:31) Brite Boy - Sounds like a lusher Girlpool. Sad confessional music about pining for “brite boy”. Orange, bright fingerpicked notes over a constant, lighter acoustic strumming. By the end there’s at least three guitars.
8. (3:31) *In Love - Wistful, foggy, melancholy. Sax and piano. Pleasantly surprised by Alex G making a jazz-inspired track. The delicateness of the vocals is sort of weak at times and detracts a little from the beauty of the instrumentation.
9. (1:28) Walk - Right from the first few seconds I was reminded of “City Rain, City Streets” by Ryan Adams. Lush guitars. Purely instrumental track.
10. (2:00) Mud - Faint guitars. Especially emo. Multiple sets of vocals. Not a particular standout.
11. (4:21) **Ready - Dialogue between Alex G and what sounds like a higher version of his voice. Silvery, Christmas synths and whoaaaaa these guitars are lush. "She came right through me."
12. (2:35) Station - Weird Iggy Pop-sounding voice. Sort of chaotic.
13. (5:04) *Snot - Rushing guitars and a subtle bass groove. Reminds me a lot of Ryan Adams’ album Gold. Entirely instrumental from the middle until the end. Introspective.

Track Listing
1.Intro 7.Brite Boy
2.Bug 8.In Love
3.Thorns 9.Walk
4.Kicker 10.Mud
5.Salt 11.Ready
6.Look Out 12.Station
 13.Snot