Equanimity
General
| Feb 2024
Reviews
Alex Strong
Reviewed 2024-02-12
Reviewed 2024-02-12
Very cool blending of Electronic methods and traditional instruments. Feels like you are OF musical culture with all the blending. Background synthetics play very well with the traditional instrumentation placed well in the song. hRIYL: The Human Experience.
Kems Kriol is from Rotterdam, Netherlands and creates songs about growing up in cold rough transit port city and finding equanimity in his past - making room for emotions while keeping the cold exterior.
Favorites: 1, 3
No FCCs.
1.* Pirogue Clandestine - Original Mix (4:44) Single female voice is bolstered by the instrumentation of traditional instruments (jaw harp, drums) synthetically placed in the song. Feels both VERY traditional and very electronic. Ends with lot of static which fades out.
2. Catchupa Guizod - Original Mix (4:33) Drums and instruments are placed in a kind of lo-fi cascading way. pause in pace @1:30; rain sounds @3:20; song resumes its pace @3:30. Has a record poppy scratchiness throughout.
3.* Bram z'n Ding (6:25) Starts with pulsing tone @0:25 regular beat kicks @0:45 bigger sweeping tones start settles @1:30. Song takes you to a jungle @2:30 before returning to the cold. Breaks throughout the song punctuate the journey. Generally slow and a headphones vibe. @6:00 ends in full jungle soundscape.
4. Pirogue Clandestine - Instrumental (4:44) The same as the original mix, except lacking some of the heavier electronic elements. At points can be slow, but picks back up. Ends with the same static.
5. Catchupa Guizod - Instrumental (4:33) Much like 4. - has much of the heavy electronics of the original removed.
Kems Kriol is from Rotterdam, Netherlands and creates songs about growing up in cold rough transit port city and finding equanimity in his past - making room for emotions while keeping the cold exterior.
Favorites: 1, 3
No FCCs.
1.* Pirogue Clandestine - Original Mix (4:44) Single female voice is bolstered by the instrumentation of traditional instruments (jaw harp, drums) synthetically placed in the song. Feels both VERY traditional and very electronic. Ends with lot of static which fades out.
2. Catchupa Guizod - Original Mix (4:33) Drums and instruments are placed in a kind of lo-fi cascading way. pause in pace @1:30; rain sounds @3:20; song resumes its pace @3:30. Has a record poppy scratchiness throughout.
3.* Bram z'n Ding (6:25) Starts with pulsing tone @0:25 regular beat kicks @0:45 bigger sweeping tones start settles @1:30. Song takes you to a jungle @2:30 before returning to the cold. Breaks throughout the song punctuate the journey. Generally slow and a headphones vibe. @6:00 ends in full jungle soundscape.
4. Pirogue Clandestine - Instrumental (4:44) The same as the original mix, except lacking some of the heavier electronic elements. At points can be slow, but picks back up. Ends with the same static.
5. Catchupa Guizod - Instrumental (4:33) Much like 4. - has much of the heavy electronics of the original removed.
Recent airplay
Catchupa Guizod
Music Casserole — Jun 29, 2024
Catchupa Guizod
Music Casserole — Jun 08, 2024
Bram Z'n Ding
Buford J. Sharkley Presents: As Told to Hervey Okkles — May 18, 2024
Catchupa Guizod
Sound Wheels — May 14, 2024
Bram Z'n Ding
Music Casserole — May 11, 2024
Bram Z'n Ding
Virtually Happy — Apr 22, 2024
Charting
2024-04-02 — 2024-06-04
Electronic, Reggae/World
| Week Ending | Airplays |
|---|---|
| May 19 | 2 |
| May 12 | 1 |
| Apr 28 | 1 |
| Apr 21 | 1 |
| Apr 14 | 1 |
Track listing
| 1. | Pirogue Clandestine | 4:44 | |
| 2. | Catchupa Guizod | 4:33 | |
| 3. | Bram Z'n Ding | 6:25 | |
| 4. | Pirogue Clandestine | 4:44 | |
| 5. | Catchupa Guizod | 4:33 |
