Threadgill, Henry / Zooid / Tomorrow Sunny / The Revelry, Spp
Album: | Tomorrow Sunny / The Revelry, Spp | Collection: | Jazz | |
Artist: | Threadgill, Henry / Zooid | Added: | Jul 2012 | |
Label: | Pi Recordings |
A-File Activity
Add Date: | 2012-07-08 | Pull Date: | 2012-09-09 | Charts: | Jazz |
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Week Ending: | Sep 9 | Sep 2 | Aug 26 | Aug 19 | Jul 29 | Jul 15 |
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Airplays: | 1 | 1 | 2 | 2 | 2 | 1 |
Recent Airplay
1. | Sep 04, 2012: | Rebop
Ambient Pressure Thereby |
4. | Aug 20, 2012: | Memory Select, Frithian edition
A Day Off |
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2. | Sep 01, 2012: | Feral Jazz/Pop Frenzy
Tomorrow Sunny |
5. | Aug 17, 2012: | No Cover, No Minimum
Tomorrow Sunny |
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3. | Aug 21, 2012: | Rebop
Ambient Pressure Thereby |
6. | Aug 14, 2012: | Rebop
Tomorrow Sunny, A Day Off |
Album Review
Fo
Reviewed 2012-07-06
Reviewed 2012-07-06
HENRY THREADGILL ZOOID: Tomorrow Sunny / The Revelry, Spp
Pi, 2012
FREE JAZZ – More organic bubbling from flute/sax master Threadgill and his inscrutable yet somehow upbeat band, less dense than on other recent recordings but now a sextet with the addition of cello (alongside guitar, acoustic bass guitar, trombone/tuba and drums). Each musician improvises freely, but within a framework of harmonic counterpoint and layered texture that makes this very much Threadgill’s music: instantly recognizable, endlessly fascinating.
Fo’s Picks: 1, 2, 4, 5
1. 5:51 – light, agile with guitar and tuba prominent; sax takes over 2nd half
2. 6:31 – almost funky: string-pulling bass, optimistic flute, sawing cello solos
3. 3:34 – slow, quiet and spare with a plaintive sax moan/wail
4. 9:28 – serene bass guitar & creaky cello start it off; voice-like bass flute and mellow trombone creep through a fog-shrouded landscape
5. 10:36 – uptempo drums get this one hopping: maintains a free groove as the three strings bounce off each other, sax casually grinds it up
6. 6:30 – tons of open space: first drum & trombone; then strings and flute
[ Fo ] - July 2012
Pi, 2012
FREE JAZZ – More organic bubbling from flute/sax master Threadgill and his inscrutable yet somehow upbeat band, less dense than on other recent recordings but now a sextet with the addition of cello (alongside guitar, acoustic bass guitar, trombone/tuba and drums). Each musician improvises freely, but within a framework of harmonic counterpoint and layered texture that makes this very much Threadgill’s music: instantly recognizable, endlessly fascinating.
Fo’s Picks: 1, 2, 4, 5
1. 5:51 – light, agile with guitar and tuba prominent; sax takes over 2nd half
2. 6:31 – almost funky: string-pulling bass, optimistic flute, sawing cello solos
3. 3:34 – slow, quiet and spare with a plaintive sax moan/wail
4. 9:28 – serene bass guitar & creaky cello start it off; voice-like bass flute and mellow trombone creep through a fog-shrouded landscape
5. 10:36 – uptempo drums get this one hopping: maintains a free groove as the three strings bounce off each other, sax casually grinds it up
6. 6:30 – tons of open space: first drum & trombone; then strings and flute
[ Fo ] - July 2012
Track Listing
1. | A Day Off | 4. | See The Blackbird Now | |||
2. | Tomorrow Sunny | 5. | Ambient Pressure Thereby | |||
3. | So Pleased, No Clue | 6. | Put On Keep / Frontispiece, Spp |