Longtime Companion
General
| Jul 2012
Reviews
Wallace Brontoon
Reviewed 2012-07-16
Reviewed 2012-07-16
Reviewed by Hervey Okkles, 7-14-2012
Sonny Smith expresses his heartache over his ten-year relationship coming to an end, by turning The Sunsets into a country-rock band, to GREAT results.
Sonny Smith is a hell of a talented guy, a master of any genre he touches (seriously, check out the 100 Records project...), but here, he pounds out a unified and REALLY solid pure country/folk album. Give it a shot, it grows on you.
Almost all tracks are equally great. No FCCs.
1 (3:45) **** Bruised straight-ahead upbeat folk, with scratchy delivery. "Am I really here?" Halfway through, it's joined by a garden of woodwinds, and it's all very pretty. They get really chirpy right at end.
2 (3:02) *** Beery strumming angry honky-tonker. GREAT hooks and texture. This is everything you want from a heartbroken honky-tonk dude.
3 (4:19) *** Muffled instrumentation accentuates the heartbreak, wistful and catchy, but sad sad folk.
4 (5:37) **** More of a '60s jammy folk-rock vibe (think Byrds), but the same spectrum of heartache and wistfulness. Psychey flutes and whatnot join before long. Really nice, great hooks.
5 (5:44) **** More of a straightforward twangy Marty Robbins type. Shaggy, halfassed (but charming) story of animals ("In the year of the cock, I was the flea") Attempts at Dylanesque wordplay.
6 (2:37) *** Slide guitar! Morose flute! Driving country, with a purpose. More woodwinds! Instrumental, echoes Dylan's "Nashville Skyline" more than a little.
7 (2:59) *** Sunshiney classic country, with his deflated putdown ("I look into your eyes, I see the void.") Sour half-singing.
8 (2:58) **** More slide-guitar, whimsical but acid country ("Time will tell if we stick together") Pure Burrito Brothers. God, Sonny Smith has a gift for hooks.
9 (2:49) *** More of the same, with a mock-gospel breakdown halfway thru ("Oh please; oh please") His mind is messed up all the time. Great steel guitar solo.
10 (4:25) *** A more Motown-influenced melody, with chorus in background, but funky organ grounds everything. Steel guitar gives it the country sound, but the flutes, too! It's a real mutt.
Sonny Smith expresses his heartache over his ten-year relationship coming to an end, by turning The Sunsets into a country-rock band, to GREAT results.
Sonny Smith is a hell of a talented guy, a master of any genre he touches (seriously, check out the 100 Records project...), but here, he pounds out a unified and REALLY solid pure country/folk album. Give it a shot, it grows on you.
Almost all tracks are equally great. No FCCs.
1 (3:45) **** Bruised straight-ahead upbeat folk, with scratchy delivery. "Am I really here?" Halfway through, it's joined by a garden of woodwinds, and it's all very pretty. They get really chirpy right at end.
2 (3:02) *** Beery strumming angry honky-tonker. GREAT hooks and texture. This is everything you want from a heartbroken honky-tonk dude.
3 (4:19) *** Muffled instrumentation accentuates the heartbreak, wistful and catchy, but sad sad folk.
4 (5:37) **** More of a '60s jammy folk-rock vibe (think Byrds), but the same spectrum of heartache and wistfulness. Psychey flutes and whatnot join before long. Really nice, great hooks.
5 (5:44) **** More of a straightforward twangy Marty Robbins type. Shaggy, halfassed (but charming) story of animals ("In the year of the cock, I was the flea") Attempts at Dylanesque wordplay.
6 (2:37) *** Slide guitar! Morose flute! Driving country, with a purpose. More woodwinds! Instrumental, echoes Dylan's "Nashville Skyline" more than a little.
7 (2:59) *** Sunshiney classic country, with his deflated putdown ("I look into your eyes, I see the void.") Sour half-singing.
8 (2:58) **** More slide-guitar, whimsical but acid country ("Time will tell if we stick together") Pure Burrito Brothers. God, Sonny Smith has a gift for hooks.
9 (2:49) *** More of the same, with a mock-gospel breakdown halfway thru ("Oh please; oh please") His mind is messed up all the time. Great steel guitar solo.
10 (4:25) *** A more Motown-influenced melody, with chorus in background, but funky organ grounds everything. Steel guitar gives it the country sound, but the flutes, too! It's a real mutt.
Recent airplay
I Was Born
Pretend You Love Me
Whatever the Hippies Want, Bitch! — Apr 23, 2014
Sea Of Darkness
Daydream Disaster — May 16, 2013
Pretend You Love Me
Daydream Disaster — Apr 25, 2013
Pretend You Love Me
Home Free — Apr 09, 2013
I Was Born
Buford J. Sharkley's Top of 2012 Tracks Whatever — Dec 08, 2012
Charting
2012-07-15 — 2012-09-16
| Week Ending | Airplays |
|---|---|
| Sep 9 | 1 |
| Sep 2 | 1 |
| Aug 26 | 1 |
| Aug 12 | 1 |
| Aug 5 | 1 |
| Jul 29 | 3 |
| Jul 22 | 2 |
Track listing
| 1. | I Was Born | ||
| 2. | Dried Blood | ||
| 3. | Children Of The Beehive | ||
| 4. | Pretend You Love Me | ||
| 5. | Year Of The Cock | ||
| 6. | Rhinestone Sunset | ||
| 7. | I See The Void | ||
| 8. | Sea Of Darkness | ||
| 9. | My Mind Messed Up | ||
| 10. | Longtime Companion |