Patience (After Sebald)
General
| Dec 2012
Reviews
Adam Pearson
Reviewed 2012-12-14
Reviewed 2012-12-14
Grainy, hypnotic ambient. Drifting, dreamy, cyclic compositions around pianos, organs, keys and hazy tape effects, loops, and found sounds. This album is the soundtrack to the film, Patience (After Sebald). The Caretaker project was inspired by the haunted ballroom scene in Kubrick’s The Shining -- some appropriate context. This is signature James Leyland Kirby, a longtime noise/experimental/ambient artist known for his work under the V/Vm moniker and his own name. Surreal, consonant, arty, peaceful, creepy, and dream-like at the same time. No FCCS, all instrumental.
*1. Echoing ballroom piano eeriness and tape wash. (2:33)
2. Slight variation on 1, repetition can kind of get to you; beautifully numbing. (2:32)
*3. Tactile, snowed-in feel, isolation; completely engulfing. (5:40)
*4. Sounds like a locked groove on a record found in Laura Palmer’s home. Innocent, fragile, and creepy. (4:50)
5. Reserved, relaxed, almost classical. (2:56)
6. Uneasy, repetitive, simple piano. (3:37)
7. Deeper ringing tones in rhythm, and echoey darkness. (4:00)
8. Dark, dreary; another textural wash of oddly pretty gloom. (4:37)
*9. Dramatic male vocal effects and twirling keys create a macabre dance. (4:05)
*10. Sprightly, almost like springtime ballet music, but with a creepy edge. (4:24)
11. Looped weirdo tapes/percussion, really echoey and nightmarish. (4:33)
12. Operatic male vocals slowed down and gentle organ ebbs. (5:14)
*1. Echoing ballroom piano eeriness and tape wash. (2:33)
2. Slight variation on 1, repetition can kind of get to you; beautifully numbing. (2:32)
*3. Tactile, snowed-in feel, isolation; completely engulfing. (5:40)
*4. Sounds like a locked groove on a record found in Laura Palmer’s home. Innocent, fragile, and creepy. (4:50)
5. Reserved, relaxed, almost classical. (2:56)
6. Uneasy, repetitive, simple piano. (3:37)
7. Deeper ringing tones in rhythm, and echoey darkness. (4:00)
8. Dark, dreary; another textural wash of oddly pretty gloom. (4:37)
*9. Dramatic male vocal effects and twirling keys create a macabre dance. (4:05)
*10. Sprightly, almost like springtime ballet music, but with a creepy edge. (4:24)
11. Looped weirdo tapes/percussion, really echoey and nightmarish. (4:33)
12. Operatic male vocals slowed down and gentle organ ebbs. (5:14)
Recent airplay
No One Knows What Shadowy Memories Haunt Them To This Day
Music Casserole — Oct 20, 2018
Everything Is On The Point Of Decline
Clean Copper Radio & Hot Topics — Jan 09, 2018
Everything Is On The Point Of Decline
The Sunset Life — May 28, 2015
A Last Glimpse Of The Land Being Lost Forever, When The Dog Days Were Drawing To An End, Approaching The Outer Limits Of Our Solar System
The Sunset Life — Feb 25, 2013
Everything Is On The Point Of Decline
Slanford and Sponge — Feb 23, 2013
Everything Is On The Point Of Decline
The Sunset Life — Feb 21, 2013
Charting
2012-12-15 — 2013-02-17
Classical/Experimental
| Week Ending | Airplays |
|---|---|
| Feb 17 | 1 |
| Feb 10 | 1 |
| Feb 3 | 1 |
| Jan 27 | 2 |
| Jan 20 | 1 |
| Jan 13 | 4 |
| Dec 30 | 1 |
| Dec 23 | 1 |
Track listing
| 1. | Everything Is On The Point Of Decline | ||
| 2. | As If One Were Sinking Into Sand | ||
| 3. | Approaching The Outer Limits Of Our Solar System | ||
| 4. | When The Dog Days Were Drawing To An End | ||
| 5. | A Last Glimpse Of The Land Being Lost Forever | ||
| 6. | The Homesickness That Was Corroding Her Soul | ||
| 7. | I Have Become Almost Invisible, To Some Extent Like A Dead Man | ||
| 8. | In The Deep And Dark Hours Of The Night | ||
| 9. | No One Knows What Shadowy Memories Haunt Them To This Day | ||
| 10. | Increasingly Absorbed In His Own World | ||
| 11. | Isolated Lights On The Abyss Of Ignorance | ||
| 12. | The Night Is Over And The Dawn Is About To Break |