Complete Discography Sampler
Reviews
DJ Away
Reviewed 2013-03-04
Reviewed 2013-03-04
Post-hardcore/emo
Moss Icon’s recordings in the late 80s and early 90s could be considered some of the earliest examples of the genres above, and now Temporary Residence has brought them back into the light of day. Despite a very punk attitude and lots of great screaming from frontman Johnathan Vance, this is pretty convoluted stuff that sometimes even points toward Slint. Both cathartic and intellectual—very enjoyable. If you have 11 minutes, play 6. If not, 1, 4, 8, 9 also come highly recommended. FCC WARNING: 2, 3, 7.
1. *(2:17)—Mid-tempo and heavy. Great, concise example of Vance’s passionate speaking-then-screaming style.
2. (3:10)—TOO MANY FCCs. Really good, though.
3. (4:57)—FCC WARNING (f***). Multiple parts and tempo changes. Lots of heavy riffage and some screaming.
4. *(4:34)—Medium-fast and driving. One-chord punk hypnosis.
5. (3:53)—Medium-fast but swampier and more subdued.
6. **(11:24)—Starts slow, heavy, and pensive. Pretty guitar interplay in the middle. Speeds up and morphs into punk incantation and builds, builds, builds until it explodes gloriously, screaming and all. OFF THE CHAIN.
7. (2:49)—FCC WARNING (s***). Fast, searing, catchy. Never really explodes.
8. *(5:25)—Mid-tempo and very funky. Gets heavier over time, but the punk intensity remains at a simmer.
9. *(4:43)—Mid-tempo and loud, but comparably positive and serene (at least in terms of lyrical content).
Moss Icon’s recordings in the late 80s and early 90s could be considered some of the earliest examples of the genres above, and now Temporary Residence has brought them back into the light of day. Despite a very punk attitude and lots of great screaming from frontman Johnathan Vance, this is pretty convoluted stuff that sometimes even points toward Slint. Both cathartic and intellectual—very enjoyable. If you have 11 minutes, play 6. If not, 1, 4, 8, 9 also come highly recommended. FCC WARNING: 2, 3, 7.
1. *(2:17)—Mid-tempo and heavy. Great, concise example of Vance’s passionate speaking-then-screaming style.
2. (3:10)—TOO MANY FCCs. Really good, though.
3. (4:57)—FCC WARNING (f***). Multiple parts and tempo changes. Lots of heavy riffage and some screaming.
4. *(4:34)—Medium-fast and driving. One-chord punk hypnosis.
5. (3:53)—Medium-fast but swampier and more subdued.
6. **(11:24)—Starts slow, heavy, and pensive. Pretty guitar interplay in the middle. Speeds up and morphs into punk incantation and builds, builds, builds until it explodes gloriously, screaming and all. OFF THE CHAIN.
7. (2:49)—FCC WARNING (s***). Fast, searing, catchy. Never really explodes.
8. *(5:25)—Mid-tempo and very funky. Gets heavier over time, but the punk intensity remains at a simmer.
9. *(4:43)—Mid-tempo and loud, but comparably positive and serene (at least in terms of lyrical content).
Recent airplay
Lyburnum - Wit's End (Liberation Fly)
Life Aquatic — Oct 22, 2016
Locket
The Sunset Life — May 09, 2013
Guatemala
The Sunset Life — Apr 25, 2013
Lyburnum - Wit's End (Liberation Fly)
The Sunset Life (Crescendo) — Apr 18, 2013
Locket
Catharsis — Apr 11, 2013
Locket
The Sunset Life — Apr 11, 2013
Charting
2013-03-09 — 2013-05-12
| Week Ending | Airplays |
|---|---|
| May 12 | 1 |
| Apr 28 | 1 |
| Apr 21 | 1 |
| Apr 14 | 2 |
| Apr 7 | 2 |
| Mar 31 | 1 |
| Mar 17 | 4 |
Track listing
| 1. | Mirror | ||
| 2. | I'm Back Sleeping, Or Fucking, Or Something | ||
| 3. | Divinity Cove | ||
| 4. | Locket | ||
| 5. | As Afterwards The Words Still Ring | ||
| 6. | Lyburnum - Wit's End (Liberation Fly) | ||
| 7. | Kick The Can | ||
| 8. | Guatemala | ||
| 9. | Gravity |