Unhinged
Reviews
Fo
Reviewed 2013-01-19
Reviewed 2013-01-19
JON IRABAGON’S OUTRIGHT!: Unhinged
Irabbagast, 2012
AVANT-GARDE – Sax player Irabagon is among the most interesting rising stars on the jazz scene. He makes his biggest impact shredding in out-jazz settings, but he plays just as well in more mainstream groups and has the hugely eclectic tastes typical of the new generation of jazz players. This disc has all of that, jumping from lumpy free improv to gliding bebop, quintet to orchestra, familiar grooves to pure weirdness.
Fo’s Picks: 2, 3, 5, 6, 7, 9
1. 1:11 – brief lopsided riffing with electronic doodads
2. 10:34 – enigmatic sax intro, slips sideways into quick bop and wild improv
3. 8:34 – deconstructed piano, then nice Latin rhythm, slides right off the rails
4. 1:55 – another version of #1, more focus on the rhythmic aspect
5. 9:56 – long bass intro to a bizarre, psychedelic ballad with full orchestra!
6. 7:30 – speedy fusion feel with electric guitar & keyboards, nice horn work
7. 5:58 – trumpet sets up a slow, surreal landscape, drifts into a mopey ballad
8. 2:00 – yet another variation on #1, extra glitchy this time
9. 9:59 – passionate, deep and brilliant: you’ll never recognize “Take Five,” it sounds more like “A Love Supreme”!
10. 8:06 – cute/snappy ditty gets pulled apart like taffy
[ Fo ] - 19 January 2013
Irabbagast, 2012
AVANT-GARDE – Sax player Irabagon is among the most interesting rising stars on the jazz scene. He makes his biggest impact shredding in out-jazz settings, but he plays just as well in more mainstream groups and has the hugely eclectic tastes typical of the new generation of jazz players. This disc has all of that, jumping from lumpy free improv to gliding bebop, quintet to orchestra, familiar grooves to pure weirdness.
Fo’s Picks: 2, 3, 5, 6, 7, 9
1. 1:11 – brief lopsided riffing with electronic doodads
2. 10:34 – enigmatic sax intro, slips sideways into quick bop and wild improv
3. 8:34 – deconstructed piano, then nice Latin rhythm, slides right off the rails
4. 1:55 – another version of #1, more focus on the rhythmic aspect
5. 9:56 – long bass intro to a bizarre, psychedelic ballad with full orchestra!
6. 7:30 – speedy fusion feel with electric guitar & keyboards, nice horn work
7. 5:58 – trumpet sets up a slow, surreal landscape, drifts into a mopey ballad
8. 2:00 – yet another variation on #1, extra glitchy this time
9. 9:59 – passionate, deep and brilliant: you’ll never recognize “Take Five,” it sounds more like “A Love Supreme”!
10. 8:06 – cute/snappy ditty gets pulled apart like taffy
[ Fo ] - 19 January 2013
Recent airplay
Take Five
No Cover, No Minimum — Mar 07, 2013
Silent Smile (Urban Love Song)
No Cover, No Minimum — Feb 28, 2013
Silent Smile (Urban Love Song)
Rebop — Feb 22, 2013
Take Five
No Cover, No Minimum — Feb 21, 2013
Charles Barkley
Rebop — Feb 15, 2013
Mourning In America
Rebop — Feb 08, 2013
Charting
2013-01-19 — 2013-03-24
Jazz
| Week Ending | Airplays |
|---|---|
| Mar 10 | 1 |
| Mar 3 | 1 |
| Feb 24 | 2 |
| Feb 17 | 1 |
| Feb 10 | 1 |
| Feb 3 | 3 |
| Jan 27 | 1 |
Track listing
| 1. | Camp Douglas | ||
| 2. | Charles Barkley | ||
| 3. | Lola Pastillas | ||
| 4. | Camp Douglas 2 | ||
| 5. | Silent Smile (Urban Love Song) | ||
| 6. | Kremzeek! | ||
| 7. | Mourning In America | ||
| 8. | Camp Douglas 3 | ||
| 9. | Take Five | ||
| 10. | Parker Posey |