Smash
Jazz
| Jan 2013
Reviews
Fo
Reviewed 2013-01-26
Reviewed 2013-01-26
PATRICIA BARBER: Smash
Concord Jazz, 2013
MODERN JAZZ VOCALS – Typically smart new compositions from singer/songwriter/pianist Barber, whose intellectual, poetic lyrics and chilled voice are always marvelous. A strong, modern band and pristine recording quality round out the package. Deep, romantic, and gripping.
All very good! Fo’s Picks: 1, 3, 5, 6, 7, 8, 9, 10
1. 5:21 – low bass pulse into urban night sound, mysterious break in middle
2. 3:43 – soft and intimate, but also flowing, built on 6-syllable lines
3. 2:24 – solo piano/voice: achingly tender, lots of open space
4. 4:20 – song of heartbreak starts gently, pained electric guitar takes over
5. 4:26 – light bossa-nova love song loaded with astrophysics metaphors
6. 4:42 – spare and poetic, just piano/bass/voice, built on 3-syllable lines
7. 5:09 – catchy riffs, brisk lyrics about gay love, nice guitar/piano breaks
8. 5:46 – angry socio-political lyrics in a serene setting, explodes & resettles
9. 4:25 – sweetly romantic and poetic: each line has only 2 syllables
10. 6:11 – instrumental: solo turns from piano & drums, then a cool trio glide
11. 3:16 – calm and intimate: each line has 4 syllables, drifts into mystery
12. 5:20 – a hushed, heartbreaking song of love and loss, deceptively simple
[ Fo ] - 26 January 2013
Concord Jazz, 2013
MODERN JAZZ VOCALS – Typically smart new compositions from singer/songwriter/pianist Barber, whose intellectual, poetic lyrics and chilled voice are always marvelous. A strong, modern band and pristine recording quality round out the package. Deep, romantic, and gripping.
All very good! Fo’s Picks: 1, 3, 5, 6, 7, 8, 9, 10
1. 5:21 – low bass pulse into urban night sound, mysterious break in middle
2. 3:43 – soft and intimate, but also flowing, built on 6-syllable lines
3. 2:24 – solo piano/voice: achingly tender, lots of open space
4. 4:20 – song of heartbreak starts gently, pained electric guitar takes over
5. 4:26 – light bossa-nova love song loaded with astrophysics metaphors
6. 4:42 – spare and poetic, just piano/bass/voice, built on 3-syllable lines
7. 5:09 – catchy riffs, brisk lyrics about gay love, nice guitar/piano breaks
8. 5:46 – angry socio-political lyrics in a serene setting, explodes & resettles
9. 4:25 – sweetly romantic and poetic: each line has only 2 syllables
10. 6:11 – instrumental: solo turns from piano & drums, then a cool trio glide
11. 3:16 – calm and intimate: each line has 4 syllables, drifts into mystery
12. 5:20 – a hushed, heartbreaking song of love and loss, deceptively simple
[ Fo ] - 26 January 2013
Recent airplay
Romanesque
Rebop — Aug 15, 2022
Redshift
Rebop — Jul 18, 2022
Redshift
A Show Has No Name — Sep 27, 2016
Redshift
No Cover, No Minimum: Remembering 2013 — Jan 03, 2014
Spring Song
No Cover, No Minimum — Mar 07, 2013
Sping Song, Redshift
Rebop — Mar 01, 2013
Charting
2013-01-26 — 2013-03-31
Jazz
| Week Ending | Airplays |
|---|---|
| Mar 10 | 1 |
| Mar 3 | 2 |
| Feb 24 | 2 |
| Feb 17 | 2 |
| Feb 10 | 2 |
| Feb 3 | 3 |
Track listing
| 1. | Code Cool | ||
| 2. | The Wind Song | ||
| 3. | Romanesque | ||
| 4. | Smash | ||
| 5. | Redshift | ||
| 6. | Spring Song | ||
| 7. | Devil's Food | ||
| 8. | Scream | ||
| 9. | The Swim | ||
| 10. | Bashful | ||
| 11. | The Storyteller | ||
| 12. | Missing |
