Little Bluedevil
Jazz
| Mar 2013
Reviews
Fo
Reviewed 2013-03-09
Reviewed 2013-03-09
NOERTKER’S MOXIE: Little Bluedevil
Edgetone, 2012
CHAMBER JAZZ – The second disc in local bassist Bill Noertker’s “Blue Rider” series, inspired by the art of abstract painters like Kandinsky, Marc, and Klee. As always with this group, the music inhabits a nebulous but compelling space somewhere between straight-up jazz, modern classical and free improvisation. It’s all really good.
Fo’s Picks: 2, 3, 4, 9, 11, 12
1. 5:32 – slow, warped lines intersect and diverge, droning middle section
2. 6:15 – a friendly, jazzy stroll: solos weave gently on and off the path
3. 5:59 – very deliberate, hopscotch pattern; layered horns add a sloppy feel
4. 10:50 – dense midtempo, competing lines; falls into big empty improv space
5 / 6 / 7 – three very short chamber pieces with dignified wind harmonies
8. 2:06 – very slow, stretched-out movement, a bleak vista
9. 7:10 – quiet intro; a very gentle walking tune with lovely flute, piano, bass
10. 6:43 – a friendly harmonic riff oh-so gradually breaks apart, speeds up
11. 6:57 – lyrical melody gets passed around, slips into abstraction, fun drums
12. 6:46 – three flutes quickened by very quiet bass/drum patter
13. 6:51 – slow, curving piece with a melancholy air and a sinister undertone
[ Fo ] - 9 March 2013
Edgetone, 2012
CHAMBER JAZZ – The second disc in local bassist Bill Noertker’s “Blue Rider” series, inspired by the art of abstract painters like Kandinsky, Marc, and Klee. As always with this group, the music inhabits a nebulous but compelling space somewhere between straight-up jazz, modern classical and free improvisation. It’s all really good.
Fo’s Picks: 2, 3, 4, 9, 11, 12
1. 5:32 – slow, warped lines intersect and diverge, droning middle section
2. 6:15 – a friendly, jazzy stroll: solos weave gently on and off the path
3. 5:59 – very deliberate, hopscotch pattern; layered horns add a sloppy feel
4. 10:50 – dense midtempo, competing lines; falls into big empty improv space
5 / 6 / 7 – three very short chamber pieces with dignified wind harmonies
8. 2:06 – very slow, stretched-out movement, a bleak vista
9. 7:10 – quiet intro; a very gentle walking tune with lovely flute, piano, bass
10. 6:43 – a friendly harmonic riff oh-so gradually breaks apart, speeds up
11. 6:57 – lyrical melody gets passed around, slips into abstraction, fun drums
12. 6:46 – three flutes quickened by very quiet bass/drum patter
13. 6:51 – slow, curving piece with a melancholy air and a sinister undertone
[ Fo ] - 9 March 2013
Recent airplay
Tightrope Walker
Rebop — Jun 10, 2016
Diana
No Cover, No Minimum — May 17, 2013
Tightrope Walker
Rebop — May 16, 2013
Gazelles, Little Bluedevil
Rebop — May 09, 2013
Little Bluedevil
Music Casserole — May 04, 2013
Dominant Curve
Rebop — May 02, 2013
Charting
2013-03-09 — 2013-05-12
Jazz
| Week Ending | Airplays |
|---|---|
| May 12 | 1 |
| May 5 | 2 |
| Apr 21 | 2 |
| Apr 14 | 1 |
| Mar 31 | 1 |
| Mar 24 | 2 |
| Mar 17 | 3 |
Track listing
| 1. | White Line | ||
| 2. | Tightrope Walker | ||
| 3. | Chinese Poetry | ||
| 4. | Dominant Curve | ||
| 5. | Cats On A Red Cloth | ||
| 6. | Kleine Komposition 1 | ||
| 7. | Kleine Komposition 2 | ||
| 8. | Dream Improvisation | ||
| 9. | Diana | ||
| 10. | Broken Forms | ||
| 11. | Little Bluedevil | ||
| 12. | Gazelles | ||
| 13. | Tower Of Blue Horses |