Stirrup / Sewn |
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Album: | Sewn | Collection: | Jazz | |
Artist: | Stirrup | Added: | Jun 2013 | |
Label: | 482 Music |
A-File Activity |
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Add Date: | 2013-06-09 | Pull Date: | 2013-08-11 | Charts: | Jazz |
Week Ending: | Aug 11 | Jul 28 | Jul 14 | Jul 7 | Jun 30 | Jun 23 | Jun 16 |
Airplays: | 1 | 1 | 2 | 1 | 3 | 2 | 1 |
Recent Airplay
1. | Sep 05, 2013: | Rebop Floating Melody, In Zenith 1 | 4. | Jul 21, 2013: | Fight or Flight Insen For Yonsei (For The Chicago Resettlers And D.K.) | |
2. | Aug 22, 2013: | Rebop Song For Salim | 5. | Jul 11, 2013: | Rebop Song For Salim | |
3. | Aug 09, 2013: | No Cover, No Minimum Insen For Yonsei (For The Chicago Resettlers And D.K.) | 6. | Jul 08, 2013: | Fight or Flight Song For Salim |
Album Review |
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Fo Reviewed 2013-06-09 | ||
STIRRUP: Sewn 482 Music, 2013 AVANT-JAZZ – An intriguing trio of cello/tenor guitar (with lots of effects), bass & drums, very difficult to pin down. They can be raucous or folksy, neo-classical or psych… all in the same tune. Fred Lonberg-Holm goes all over the place while the rhythm players keep up solid grooves and a steady propulsive drive. Absolutely worth a listen. Try any track. Fo’s Picks: 2, 3, 5, 6 1. 4:00 – rolling uptempo: crunchy cello grinds against circular groove 2. 5:01 – dark, kind of bluesy: guitar levitates and gets spacey, relaxed rhythm 3. 8:58 – drone, then uptempo folksy lope, good groove, stretchy cello rocks it 4. 8:29 – relaxed strolling rhythm, but guitar gets complex & glitchy, cello saws 5. 7:35 – brisk, almost catchy drive: guitar grooves, cello goes totally abstract 6. 6:58 – dark Asian sound; cello/guitar weave through the dense rhythms 7. 9:56 – moody mope, mallets on drums: cello is melancholy, very melodic 8. 4:45 – another version of #1, less aggressive, with guitar [ Fo ] - 9 June 2013 |
Track Listing |
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1. | In Zenith 1 | 5. | Song For Salim | |||
2. | Floating Melody | 6. | Insen For Yonsei (For The Chicago Resettlers And D.K.) | |||
3. | The Profit Of Field Stripping | 7. | Convulsive | |||
4. | Super Seeded | 8. | In Zenith 2 |