Dalmak
General
| Sep 2013
Reviews
awyeh
Reviewed 2013-09-10
Reviewed 2013-09-10
Wow! Really cool stuff from label Constellation: a bunch of Canadian post-rock/indie musicians from GY!BE, Silver Mt. Zion, Set Fire to Flames, and more went to Istanbul and recorded this heavily Eastern-influenced album, with four Turkish musicians playing instruments bendir, darbuka, erbane, meh, barama, and saz on most tracks. (The variety of percussion listed there creates a great, unique sound.) Not too post-rocky or new agey; to my untrained ear, they did an outstanding job blending their cello/marimba/percussion with the traditional instrumentation. A-file co-star Sarah Neufeld and contrabassist Aaron Lumley also feature. Fans of currently trending ragas should dig this.
1 (3:23) Wintry strings and shimmers over low rumbles. Calm. Starts/stops a few times over final 45 seconds.
**2 (7:26) Percussion quiet and constant- all together it sounds almost like a jungle. Ominous. Horns and strings fixtures, beautiful strings near the end. Ends abruptly, play with 3 (part 2)
**3 (3:18) 2 continues with a huge kick up in intensity; loud, rhythmic, intense
*4 (4:08) Folky, stringed intro (both kinds of strings); intensifies over its length. Loud, pounding drums, soaring instrumentation at the climax.
5 (3:55) Synths, electronic fiddling/ambience, non-Turkish. Really good, if you aren't digging the other more unique tracks.
*6 (3:53) Doomy ambient cello/violin overtaken by upbeat, rhythmic Turkish percussion+instruments. Breaks open into a storm halfway through. 7 is part 2, but the transition isn't bad if you can't spare 11 min
7 (6:52) Upbeat, rhythms continue, heavy strings; as they intensify, vocals kick in, continue while track grows quieter and quieter until it's sparse plucking, chimes, and a light ambient cello hum.
8 (3:59) Acoustic, Eastern-flavored piece without the traditional instrumentation; nice, not essential
9 (5:21) Chimes, strings, vox low in the mix, restrained
1 (3:23) Wintry strings and shimmers over low rumbles. Calm. Starts/stops a few times over final 45 seconds.
**2 (7:26) Percussion quiet and constant- all together it sounds almost like a jungle. Ominous. Horns and strings fixtures, beautiful strings near the end. Ends abruptly, play with 3 (part 2)
**3 (3:18) 2 continues with a huge kick up in intensity; loud, rhythmic, intense
*4 (4:08) Folky, stringed intro (both kinds of strings); intensifies over its length. Loud, pounding drums, soaring instrumentation at the climax.
5 (3:55) Synths, electronic fiddling/ambience, non-Turkish. Really good, if you aren't digging the other more unique tracks.
*6 (3:53) Doomy ambient cello/violin overtaken by upbeat, rhythmic Turkish percussion+instruments. Breaks open into a storm halfway through. 7 is part 2, but the transition isn't bad if you can't spare 11 min
7 (6:52) Upbeat, rhythms continue, heavy strings; as they intensify, vocals kick in, continue while track grows quieter and quieter until it's sparse plucking, chimes, and a light ambient cello hum.
8 (3:59) Acoustic, Eastern-flavored piece without the traditional instrumentation; nice, not essential
9 (5:21) Chimes, strings, vox low in the mix, restrained
Recent airplay
Bladerunner Pussycore Sleeptime
Meow After Midnight — Nov 13, 2013
Barn Board Fire
All Things Go — Nov 07, 2013
Translator's Clos Ii, Translator's Clos I
Meow After Midnight — Oct 23, 2013
Learning To Crawl
Stringless Balloon — Oct 17, 2013
Lost River Blues I
Brownian Motion — Oct 09, 2013
Lost River Blues Ii, Lost River Blues I
late night dryer — Oct 08, 2013
Charting
2013-09-15 — 2013-11-17
| Week Ending | Airplays |
|---|---|
| Nov 17 | 1 |
| Nov 10 | 1 |
| Oct 27 | 1 |
| Oct 20 | 1 |
| Oct 13 | 2 |
| Oct 6 | 3 |
| Sep 29 | 2 |
| Sep 22 | 5 |
Track listing
| 1. | Learning To Crawl | ||
| 2. | Lost River Blues I | ||
| 3. | Lost River Blues Ii | ||
| 4. | Barn Board Fire | ||
| 5. | Hayale Dalmak | ||
| 6. | Translator's Clos I | ||
| 7. | Translator's Clos Ii | ||
| 8. | White Pine | ||
| 9. | Yavri Yavri |