Seeds
Reviews
Fo
Reviewed 2013-09-15
Reviewed 2013-09-15
LEO GENOVESE: Seeds
Palmetto, 2013
STRANGE JAZZ – What a ride! Argentine pianist Genovese brings a big bag of tricks to this CD, switching madly between a range of keyboard instruments, mixing up fusion, free-form, space-pop and postbop in a swirling stew. His band, “the Chromatic Gauchos,” keeps up with each crazy step. Star bassist Esperanza Spalding is here too, but only on vocals (often without words). A very impressive album.
Fo’s Picks: 2, 3, 4, 6, 8, 9, 11
1. 4:09 – mysterious jumble settles into a strange sidelong creep…
2. 7:03 – forceful acoustic quartet: sax/piano fly down the line, speedy drums
3. 2:33 – neo-fusion: chopped up start, then swirls w/wailing sax & fast drums
4. 3:57 – upbeat hopping bop with oddball unison theme, spinning lines
5. 2:03 – solo piano, dark and emotive
6. 10:19 – channeling Wayne Shorter: adventurous, churning fusion with saxes pulling the rest forward through weird rooms, wordless vox
7. 4:36 – fractured spiral, falls into synth swirl, marches through plastic land
8. 3:38 – chugging trio: parallel piano lines inside a thick beat, false ending!
9. 2:19 – brief acoustic quartet flare-up, sax burns brightly and gets out
10. 8:25 – different band, full vocal: very mysterious melody, then dark and rock-like with wild sax breaks, churns ominously towards the end
11. 9:26 – lightly rolling fusion groove with Genovese on 7 instruments; gets silly once he starts playing them all at once, but it’s fun too
[ Fo ] - 15 September 2013
Palmetto, 2013
STRANGE JAZZ – What a ride! Argentine pianist Genovese brings a big bag of tricks to this CD, switching madly between a range of keyboard instruments, mixing up fusion, free-form, space-pop and postbop in a swirling stew. His band, “the Chromatic Gauchos,” keeps up with each crazy step. Star bassist Esperanza Spalding is here too, but only on vocals (often without words). A very impressive album.
Fo’s Picks: 2, 3, 4, 6, 8, 9, 11
1. 4:09 – mysterious jumble settles into a strange sidelong creep…
2. 7:03 – forceful acoustic quartet: sax/piano fly down the line, speedy drums
3. 2:33 – neo-fusion: chopped up start, then swirls w/wailing sax & fast drums
4. 3:57 – upbeat hopping bop with oddball unison theme, spinning lines
5. 2:03 – solo piano, dark and emotive
6. 10:19 – channeling Wayne Shorter: adventurous, churning fusion with saxes pulling the rest forward through weird rooms, wordless vox
7. 4:36 – fractured spiral, falls into synth swirl, marches through plastic land
8. 3:38 – chugging trio: parallel piano lines inside a thick beat, false ending!
9. 2:19 – brief acoustic quartet flare-up, sax burns brightly and gets out
10. 8:25 – different band, full vocal: very mysterious melody, then dark and rock-like with wild sax breaks, churns ominously towards the end
11. 9:26 – lightly rolling fusion groove with Genovese on 7 instruments; gets silly once he starts playing them all at once, but it’s fun too
[ Fo ] - 15 September 2013
Recent airplay
Father Of Spectralism
Rebop — Sep 05, 2014
Father Of Spectralism
Rebop — Dec 12, 2013
Father Of Spectralism
Rebop — Nov 21, 2013
Chromatic Hymn
Music Casserole — Nov 09, 2013
Let's Get High
No Cover, No Minimum — Nov 08, 2013
Chromatic Hymn
Rebop — Nov 07, 2013
Charting
2013-09-15 — 2013-11-17
Jazz
| Week Ending | Airplays |
|---|---|
| Nov 10 | 3 |
| Nov 3 | 1 |
| Oct 27 | 2 |
| Oct 20 | 2 |
| Oct 13 | 2 |
| Oct 6 | 1 |
| Sep 29 | 1 |
| Sep 22 | 2 |
Track listing
| 1. | Pph | ||
| 2. | Father Of Spectralism | ||
| 3. | Left Hand Words | ||
| 4. | Our Historic Future | ||
| 5. | Los Ejes De Mi Carreta | ||
| 6. | Letter From Wayne | ||
| 7. | A Minor Complex | ||
| 8. | Let's Get High | ||
| 9. | Posterior Mode | ||
| 10. | Portuguese Mirror | ||
| 11. | Chromatic Hymn |