Check Cashing Day
Reviews
Fo
Reviewed 2014-01-02
Reviewed 2014-01-02
BOBBY WATSON: Check Cashing Day
Lafiya, 2013
MODERN JAZZ + POETRY – Commemorating the 50th anniversary of Martin Luther King’s march on Washington and the famous “I have a dream” speech, saxophonist Watson and poet Glenn North create a moving, politically charged survey of the state of Black America. The band has a warm, optimistic sound, but the poetry pulls no punches, often taking a confrontational stance. The CD title refers to a metaphor from King’s speech. All tracks FCC clean.
Fo’s Picks: 1, 2, 4, 5, 7, 8, 13, 14
1. 6:10 – instrumental: sunny, optimistic tune with a lovely round of solos
2. 4:34 – spoken word: the promise of the march vs. persistent racism
3. 4:21 – instrumental: a bright, upbeat bounce
4. 2:10 – short poem over slow ensemble, on the meaning of blackness
5. 7:22 – instrumental: deep, rolling postbop groove with flute, stirring solos
6. 4:26 – sharp spoken word over jazzy stroll: on slavery reparations
7. 4:05 – dark, pessimistic poem and thoughtful band sound
8. 6:43 – a song of faith & healing: uplifting fem vocal & a resolute sound
9. 3:56 – instrumental: uptempo and warm, derived from “Giant Steps”
10. 1:50 – solo piano reprise of #4
11. 5:11 – instrumental: breezy and optimistic, with short, heartfelt solos
12. 1:57 – aggressive, defiant poem over funky uptempo groove
13. 2:09 – MLK text about jazz, gentle musical backing with flute
14. 4:10 – poem about healing & a jazz heaven; relaxed, soulful band
15. 4:10 – Ellington gospel classic, slow and reverent with fem vocal
[ Fo ] - 2 January 2014
Lafiya, 2013
MODERN JAZZ + POETRY – Commemorating the 50th anniversary of Martin Luther King’s march on Washington and the famous “I have a dream” speech, saxophonist Watson and poet Glenn North create a moving, politically charged survey of the state of Black America. The band has a warm, optimistic sound, but the poetry pulls no punches, often taking a confrontational stance. The CD title refers to a metaphor from King’s speech. All tracks FCC clean.
Fo’s Picks: 1, 2, 4, 5, 7, 8, 13, 14
1. 6:10 – instrumental: sunny, optimistic tune with a lovely round of solos
2. 4:34 – spoken word: the promise of the march vs. persistent racism
3. 4:21 – instrumental: a bright, upbeat bounce
4. 2:10 – short poem over slow ensemble, on the meaning of blackness
5. 7:22 – instrumental: deep, rolling postbop groove with flute, stirring solos
6. 4:26 – sharp spoken word over jazzy stroll: on slavery reparations
7. 4:05 – dark, pessimistic poem and thoughtful band sound
8. 6:43 – a song of faith & healing: uplifting fem vocal & a resolute sound
9. 3:56 – instrumental: uptempo and warm, derived from “Giant Steps”
10. 1:50 – solo piano reprise of #4
11. 5:11 – instrumental: breezy and optimistic, with short, heartfelt solos
12. 1:57 – aggressive, defiant poem over funky uptempo groove
13. 2:09 – MLK text about jazz, gentle musical backing with flute
14. 4:10 – poem about healing & a jazz heaven; relaxed, soulful band
15. 4:10 – Ellington gospel classic, slow and reverent with fem vocal
[ Fo ] - 2 January 2014
Recent airplay
Forty Acres And A Mule
Traditions — Feb 02, 2023
Mlk On Jazz (Love Transforms)
Traditions — Jan 12, 2023
A Blues Of Hope
Pumping Iron — Feb 26, 2014
Check Cashing Day (For Ms. Trudy)
No Cover, No Minimum — Feb 21, 2014
Sweet Dreams
Rebop — Feb 13, 2014
Sweet Dreams
No Cover, No Minimum — Feb 07, 2014
Charting
2014-01-02 — 2014-03-06
Jazz
| Week Ending | Airplays |
|---|---|
| Mar 2 | 1 |
| Feb 23 | 1 |
| Feb 16 | 1 |
| Feb 9 | 1 |
| Feb 2 | 2 |
| Jan 19 | 2 |
| Jan 12 | 1 |
| Jan 5 | 1 |
Track listing
| 1. | Sweet Dreams | ||
| 2. | Check Cashing Day (For Ms. Trudy) | ||
| 3. | At The Crossroads | ||
| 4. | Black Is Back | ||
| 5. | A Blues Of Hope | ||
| 6. | Forty Acres And A Mule | ||
| 7. | Dark Days | ||
| 8. | Seekers Of The Sun (Son) | ||
| 9. | Progress | ||
| 10. | Black Is Back (Reprise) | ||
| 11. | The Triad (Martin, Malcolm, Ghandi) | ||
| 12. | My Song | ||
| 13. | Mlk On Jazz (Love Transforms) | ||
| 14. | Revival (Ovedia) | ||
| 15. | Come Sunday |