Snow Owl / Normas
Album: | Normas | Collection: | Jazz | |
Artist: | Snow Owl | Added: | Jan 2014 | |
Label: | Inner Circle Music |
A-File Activity
Add Date: | 2014-01-31 | Pull Date: | 2014-04-04 | Charts: | Jazz |
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Week Ending: | Apr 6 | Mar 30 | Mar 16 | Mar 9 | Mar 2 | Feb 23 | Feb 16 | Feb 9 |
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Airplays: | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 2 |
Recent Airplay
1. | Apr 04, 2014: | No Cover, No Minimum
Huellas |
4. | Mar 14, 2014: | No Cover, No Minimum
Huellas |
|
2. | Mar 28, 2014: | No Cover, No Minimum
Touched |
5. | Mar 13, 2014: | Rebop
Hearts Of Ether |
|
3. | Mar 15, 2014: | Music Casserole
Cuerpo Y Alma |
6. | Mar 07, 2014: | No Cover, No Minimum
Touched |
Album Review
Fo
Reviewed 2014-01-30
Reviewed 2014-01-30
SNOW OWL: Normas
Inner Circle, 2013
NEO-FUSION – Snow Owl (Juan García-Herreros) is a 6-string electric bassist originally from Colombia and now based in Austria. His music combines aspects of Latin/world music, fusion, and postbop, and many of the tunes are based loosely on modern jazz classics (not that you can recognize them). Long, mellow introductions, hard-hitting group jams with strong percussion, lonely ballads. Interesting stuff.
NOTE: Track 2 leads right into #3.
Fo’s Picks: 2, 3, 4, 6
1. 7:18 – bright midtempo: jabbing horns & piano over steady rolling rhythm
2. 10:12 – very long birdcall intro; hopscotch theme, cool balafon & bass solos, ends with 2:00 of dreamy synths; fade out anywhere you like.
3. 5:39 – uptempo fusion: twisty melody, driving sax/bass/guitar, crunchy end
4. 8:52 – solo bass clarinet for 2:40; then a very slow, deeply aching ballad
5. 12:47 – billowing solo piano for 3:40; then exotic midtempo contemporary; virtuoso high-register bass solo, soulful sax
6. 9:28 – drum solo intro; fast skittery beat, jabbing piano, horns look skyward
7. 8:55 – solo sax for 2:00, a slow, gentle ballad launches to soaring heights
[ Fo ] - 30 January 2014
Inner Circle, 2013
NEO-FUSION – Snow Owl (Juan García-Herreros) is a 6-string electric bassist originally from Colombia and now based in Austria. His music combines aspects of Latin/world music, fusion, and postbop, and many of the tunes are based loosely on modern jazz classics (not that you can recognize them). Long, mellow introductions, hard-hitting group jams with strong percussion, lonely ballads. Interesting stuff.
NOTE: Track 2 leads right into #3.
Fo’s Picks: 2, 3, 4, 6
1. 7:18 – bright midtempo: jabbing horns & piano over steady rolling rhythm
2. 10:12 – very long birdcall intro; hopscotch theme, cool balafon & bass solos, ends with 2:00 of dreamy synths; fade out anywhere you like.
3. 5:39 – uptempo fusion: twisty melody, driving sax/bass/guitar, crunchy end
4. 8:52 – solo bass clarinet for 2:40; then a very slow, deeply aching ballad
5. 12:47 – billowing solo piano for 3:40; then exotic midtempo contemporary; virtuoso high-register bass solo, soulful sax
6. 9:28 – drum solo intro; fast skittery beat, jabbing piano, horns look skyward
7. 8:55 – solo sax for 2:00, a slow, gentle ballad launches to soaring heights
[ Fo ] - 30 January 2014
Track Listing
1. | Señor C.P. | 4. | Cuerpo Y Alma | |||
2. | Huellas | 5. | Som I Serem | |||
3. | Impulso Interno | 6. | Touched | |||
7. | Hearts Of Ether |