Life Among The Savages
General
| May 2014
Reviews
Mr. Tumnus
Reviewed 2014-06-04
Reviewed 2014-06-04
The Papercuts are a local band who have often performed with bands like Grizzly Bear and Beach House. They also happen to be pretty similar to Grizzly Bear and Beach House, but more acoustic and with more of a folk influence, augmented by string instruments like violin/cello. Quavering voice singing repetitive lyrics over a rich acoustic soundscape. If you’re looking for an acoustic Baroque pop sound with heavy influence from string instruments, this is it. No FCCs. Check out 1, 2, 8.
1) (4:06) ** Beautiful, catchy chorus with heart. No fade-in: sound begins immediately. A great opening for a set. Feels like a single, in a good way. 2) (4:13) * Violin makes an appearance on this one. A bit slower. Nice lyrics: new bodies for everyone. 3) (3:56) The title track. Strings form the backbone of this one, and occasionally take the spotlight away from the voice. Cello and violin again. 4) (4:38) Slow baroque pop. Repetition of the line “staring into the bright lights.” Very laid-back. Great intro and exit to this one. 5) (3:46) A lighter tone. Less of the heavy strings (cello), and more guitar countermelody. A very hopeful track. 6) (5:17) Piano is the focus here. A great song for an Easter morning? (The title of the track is Easter morning.) Some light cymbals come in near the end. 7) (3:20) Really pleasing, optimistic plucking instruments in the background. Ends very softly. 8*) (3:40) Vocals are more interesting here, and play a larger role. High energy in the strings and bass. Some “la-la”-ing in the middle. Bright inspired tone, given that he’s singing about the afterlife. Sound starts immediately. 9) (4:00) More melancholy than some of the other tracks. Voices used as countermelody. Greater vocal variety and complexity here. Probably one of the more ambitious tracks. Soft fade-out.
1) (4:06) ** Beautiful, catchy chorus with heart. No fade-in: sound begins immediately. A great opening for a set. Feels like a single, in a good way. 2) (4:13) * Violin makes an appearance on this one. A bit slower. Nice lyrics: new bodies for everyone. 3) (3:56) The title track. Strings form the backbone of this one, and occasionally take the spotlight away from the voice. Cello and violin again. 4) (4:38) Slow baroque pop. Repetition of the line “staring into the bright lights.” Very laid-back. Great intro and exit to this one. 5) (3:46) A lighter tone. Less of the heavy strings (cello), and more guitar countermelody. A very hopeful track. 6) (5:17) Piano is the focus here. A great song for an Easter morning? (The title of the track is Easter morning.) Some light cymbals come in near the end. 7) (3:20) Really pleasing, optimistic plucking instruments in the background. Ends very softly. 8*) (3:40) Vocals are more interesting here, and play a larger role. High energy in the strings and bass. Some “la-la”-ing in the middle. Bright inspired tone, given that he’s singing about the afterlife. Sound starts immediately. 9) (4:00) More melancholy than some of the other tracks. Voices used as countermelody. Greater vocal variety and complexity here. Probably one of the more ambitious tracks. Soft fade-out.
Recent airplay
Life Among The Savages
Time Traveler (Top 34 of 2014) — Jan 09, 2015
Family Portrait
A-philiac — Jul 16, 2014
Afterlife Blues
Meow — Jul 15, 2014
Staring At The Bright Lights
That's Not Bluegrass — Jul 15, 2014
Still Knocking At The Door
Pentagonal Banana — Jul 13, 2014
Still Knocking At The Door
Octagonal Banana — Jul 11, 2014
Charting
2014-05-16 — 2014-07-18
| Week Ending | Airplays |
|---|---|
| Jul 20 | 4 |
| Jul 13 | 5 |
| Jul 6 | 4 |
| Jun 29 | 4 |
| Jun 22 | 2 |
| Jun 15 | 4 |
| Jun 8 | 3 |
| Jun 1 | 5 |
Track listing
| 1. | Still Knocking At The Door | ||
| 2. | New Body | ||
| 3. | Life Among The Savages | ||
| 4. | Staring At The Bright Lights | ||
| 5. | Family Portrait | ||
| 6. | Easter Morning | ||
| 7. | Psychic Friends | ||
| 8. | Afterlife Blues | ||
| 9. | Tourist |
