Jarrett, Keith / Hamburg '72 |
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Album: | Hamburg '72 | Collection: | Jazz | |
Artist: | Jarrett, Keith | Added: | Jul 2015 | |
Label: | Ecm Records (Jazz) |
A-File Activity |
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Add Date: | 2015-08-28 | Pull Date: | 2015-10-30 | Charts: | Jazz |
Week Ending: | Nov 1 | Oct 25 | Oct 18 | Oct 11 | Oct 4 | Sep 27 | Sep 13 | Sep 6 |
Airplays: | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 2 |
Recent Airplay
1. | Sep 09, 2021: | Rebop (rebroadcast from Oct 2, 2015) Song For Che | 4. | Feb 10, 2017: | Rebop Song For Che | |
2. | Sep 09, 2021: | In Your Ear Radio (rebroadcast from Oct 1, 2015) Song For Che | 5. | Jan 08, 2016: | Rebop Song For Che | |
3. | Dec 31, 2017: | Clean Copper Radio Rainbow | 6. | Oct 30, 2015: | Rebop Everything That Lives Laments |
Album Review |
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Be Sharp Reviewed 2015-08-23 | ||
ECLECTIC / WORLD JAZZ Live Jarrett in a trio with Charlie Haden (bass) and Paul Motian (drums & percussion). In addition to piano, Jarrett plays flute, soprano sax, and percussion. All instrumental. No FCC issues. 1 Varying tempo. An odd piece. Solo piano intro is slow, somber. After bass & drums enter, it gets a bit cheerier and more up-tempo. The end is loud, unstructured, and wild. (9:52) 2 Mid-tempo. Audience recognizes and applauds the piano intro. Long main section is avant-garde with flute, bells, chimes, and heavy bass; piano returns & fades to quiet. End section is soft impressionism on piano with the merest accompaniment. (9:44) 3 ** Very fast. On a tribute to Ornette Coleman, Keith squawks & honks on soprano sax, carrying the lead commendably well. Brilliant drumming including solo in middle. (9:32) 4 ** Mid-fast. After a hesitant start, an exuberant, joyful romp with plenty of Jarrett’s improvisational flair & trademark vocalizing, plus exceptional bass & drums. Near the end, a full stop and transition to something else: a pianissimo piano leads into #5. (8:07) 5 Mid-slow. Piano intro from #4 continues, then drum & bass enter. A pretty melody is taken apart, tossed around, experimented on. Then it suddenly stops. (2:59) 6 *** Varying tempo. Haden’s composition appears on several records incl Ornette’s and Haden’s Lib Music Orch; here it’s deconstructed, more abstract, less melodic. Starts with slow bass solo; then Keith on soprano sax with a biting tone; then a frantic, stressed, bowed bass. Keith, back on piano, produces something that’s goose-bump beautiful. (Perhaps it’s victory arising from struggle.) Haden & Motian make several minutes of noises. It fades to nothing, then ends to huge, long (>1min) applause. (15:08) |
Track Listing |
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1. | Rainbow | 4. | Take Me Back | |||
2. | Everything That Lives Laments | 5. | Life, Dance | |||
3. | Piece For Ornette | 6. | Song For Che |