| Black Bombaim & Peter Brötzmann / Black Bombaim & Peter Brötzmann |
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| Album: | Black Bombaim & Peter Brötzmann | Collection: | General | |
| Artist: | Black Bombaim & Peter Brötzmann | Added: | 01/2017 | |
| Label: | Shhpuma | |||
| A-File Activity |
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| Add Date: | 2017-01-10 | Pull Date: | 2017-03-14 | Charts: | Loud |
| Week Ending: | 12 Mar | 5 Mar | 26 Feb | 19 Feb | 12 Feb | 5 Feb | 29 Jan | 22 Jan |
| Airplays: | 1 | 4 | 1 | 1 | 4 | 1 | 4 | 4 |
Recent Airplay
| 1. | Oct 03, 2019: | Being as an ocean Part Ii, Part I | 4. | Mar 08, 2017: | Brownian Motion Part V | |
| 2. | Jun 10, 2017: | Reckless Burning Part I | 5. | Mar 04, 2017: | Butter and Jams Part I | |
| 3. | May 27, 2017: | Ode to Year Two Part Iv | 6. | Mar 04, 2017: | Music Casserole Part Iv |
| Album Review |
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| DJ Aporia Reviewed 2017-01-09 | ||
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Psych rock extraordinaire. Peter Brötzmann is a prominent name in free jazz, and here he plays saxophone with the heavy psych rock of Black Bombaim, a band from Portugal. Thrilling guitars and bass wrestle with saxophone in a relentless wall of sound that borders on sensory overload. All tracks mindblowingly great. Recommended if you like The Psychic Paramount, Black Sabbath, the sensation of your brain melting. 1. (13:04) Part I—Three minutes of freewheeling saxophone give way to a thunderous psych rock epic. Very intense for the most part but catches its breath a few times towards the end. 2. (8:37) Part II—Gets things cooking right away with monstrous guitars and driving bass. Dense, melodic, transcendent. 3. (11:32) Part III—Echoes of heavy metal. More plodding and restrained, allowing the saxophone to dominate at times. Brötzmann at his rawest and most desperate on the record. 4. (7:04) Part IV—Opens with an imposing bassline that mutates throughout. Gradually intensifies the guitars, drums, and general noise. Saxophone gets the last word. 5. (6:59) Part V—Ominous guitars and bass turn into an apocalyptic grinder of a track. | ||
| Track Listing |
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| 1. | Part I | 3. | Part Iii | |||
| 2. | Part Ii | 4. | Part Iv | |||
| 5. | Part V | |||||