| Addario-Berry, Hannah / Scordatura |
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| Album: | Scordatura | Collection: | Classical | |
| Artist: | Addario-Berry, Hannah | Added: | Feb 2018 | |
| Label: | Aerocade Music | |||
| A-File Activity |
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| Add Date: | 2018-02-23 | Pull Date: | 2018-04-27 | Charts: | Classical/Experimental |
| Week Ending: | Apr 29 | Apr 22 | Apr 15 | Apr 8 | Apr 1 | Mar 25 | Mar 4 | Feb 25 |
| Airplays: | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | Nov 10, 2022: | Oh Messy Life Calor | 4. | Apr 21, 2018: | Old Fart at Play Miniatures, Book Three Koans | |
| 2. | Apr 28, 2018: | Music Casserole Miniatures, Book Three Koans | 5. | Apr 21, 2018: | Music Casserole Myth's Daughter | |
| 3. | Apr 23, 2018: | Mixed Up Class Coons: Myth's daughter | 6. | Apr 18, 2018: | Oh Messy Motion Sonata For Cello Opus 8 - Allegro Molta Vivace |
| Album Review |
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| Tom McCarter Reviewed 2018-02-11 | ||
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Reviewed: 2018-02-11 Genre: Classical FCCs: none Review: fabulous set of solo cello pieces. The Sonata (tracks 1-3) was written 100 years Ago. The other pieces are written by contemporary composers. What ties them all together Is the scordatura technique, which requires the cellist to cover the instrument’s entire range from the highest delicate tones to the strongest bass notes. If You Like: Pablo Casals, David Darling, Sunny Yang, Anja Lechner Sonata For Solo Cello, Opus 8 *1/ Allegro Maestoso Ma Appassionato (9:44) - heavy chords start> slow and hesitant> segues into slow and melancholy> false stop> swells in tempo & intensity> soars to high notes then drops to bass> crescendo stop 2/ Adagio (Con Grand Expressione) (12:58) - slow and steady, beautiful melody> fade> false stop> slow & melancholy> false stop> slow high strokes like a placid river> heavy strokes build in intensity & tempo> hesitant high notes> fluttering> false stop> midtempo soaring strokes> hesitant high notes> false stop> heavy strokes slide into high notes & stop *3/ Allegro Molte Vivace (12:01) - Heavy low notes segue into fast tempo, then slows with stops & starts> false stop> notes climb higher and higher & segue into full frontal attack, then mellows, then swings uptempo in a flurry of strokes> quick stop 4/ Miniatures, Book Three Koans (8:23) – lightning fast opening quickly slows to quiet almost electronic sounding, then shifts into spoken word with accompaniment> shifts into heavy chords interspersed with lightning strokes> slows to long drawn out strokes then builds to midtempo> fade *5/ Lands End (7:10) – heavy midtempo start> slows to slow & even like the sea> segues to midtempo> segues to uptempo & slows again> slow & hesitant> fade *6/ Ekpyrotic Layerings IV (3:43) – plucked, almost percussive notes to start> off-kilter electronic sounding midtempo with chanted vocal accompaniment> quick stop *7/ Sonaquifer (5:09) – uptempo start> sizzling run segues into midtempo with hard strokes> quick stop 8/ Myth’s Daughter (11:28) – slow & quiet start with very high notes> slows into mellow with spoken word vocal accompaniment interspersed by flurries of notes> slows further with plucked notes> fade *9/ Calor (5:55) – heavy plucked & stroked notes segues into uptempo with heavy strokes> slows to slow tempo with alternate high & low stroked notes> swings into uptempo flurry & stops | ||
| Track Listing |
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