Crooked
Reviews
HYPRK
Reviewed 2019-09-18
Reviewed 2019-09-18
Ten-year anniversary re-release of singer-songwriter Kristin Hersh’s ninth studio album “Crooked.” Hersh was a founding member of the massively-influential alternative rock band Throwing Muses (which became the first American band to be signed to 4AD in 1985) and the more electric-leaning power trio 50 Foot Wave. Known for her highly-creative folk and stream-of-consciousness inspired songwriting, Hersh also exercises complete autonomy in this album, handling the wide gamut of instrumentation herself. Pretty intriguing stuff—intricate arrangements, a sparse almost unsettling atmosphere, and often-puzzling lyrics illuminated by her characteristic age-worn voice.
RIYL: Throwing Muses, 50 Foot Wave, The Breeders, Tanya Donelly, Liz Phair
FCC on 4. Try 3, 8, 5, 7
(1.) (4:57) Slow-building and airy with slowly crooned, almost whispered vocals. Picks up halfway with snarling grungy guitar solos (2.) (3:07) Upbeat but desperate atmosphere with forcefully strummed acoustic guitar and belted lyrics (*3.) (3:31) Lush flute intro transitions into an amazing, fiery rocker with great interplay between electric and acoustic guitar. Ends gently, just like it started (4.) (3:36) (FCC: fucking) Classic grainy 90’s alt rock flavor (*5.) (4:17) Slow-building and swaying with standout emotional vocals (6.) (4:16) Rustic with plenty of fret sliding. Dense, layered vocals punctuated by squeals of guitar (*7.) (3:10) Churning percussion. Imminent and captivating with bold layered vocals and broad minimalist guitar solos peppered with static (*8.) (5:29) Bouncy bassline with gruff commanding vocals. Great suspenseful production ending in a wash of noise that slowly fades (9.) (4:02) Solemn, midtempo desert ballad (10.) (3:41) Shimmering tambourine, scorching fuzzed-out guitars, stretched out vocal melodies
RIYL: Throwing Muses, 50 Foot Wave, The Breeders, Tanya Donelly, Liz Phair
FCC on 4. Try 3, 8, 5, 7
(1.) (4:57) Slow-building and airy with slowly crooned, almost whispered vocals. Picks up halfway with snarling grungy guitar solos (2.) (3:07) Upbeat but desperate atmosphere with forcefully strummed acoustic guitar and belted lyrics (*3.) (3:31) Lush flute intro transitions into an amazing, fiery rocker with great interplay between electric and acoustic guitar. Ends gently, just like it started (4.) (3:36) (FCC: fucking) Classic grainy 90’s alt rock flavor (*5.) (4:17) Slow-building and swaying with standout emotional vocals (6.) (4:16) Rustic with plenty of fret sliding. Dense, layered vocals punctuated by squeals of guitar (*7.) (3:10) Churning percussion. Imminent and captivating with bold layered vocals and broad minimalist guitar solos peppered with static (*8.) (5:29) Bouncy bassline with gruff commanding vocals. Great suspenseful production ending in a wash of noise that slowly fades (9.) (4:02) Solemn, midtempo desert ballad (10.) (3:41) Shimmering tambourine, scorching fuzzed-out guitars, stretched out vocal melodies
Recent airplay
Glass
Old fart at play (rebroadcast from Oct 10, 2019) — Oct 10, 2021
Crooked
Magnetized Toner (rebroadcast from Oct 15, 2019) — Aug 12, 2021
Fortune
Music Casserole — Dec 07, 2019
Rubidoux
Emergency Crew — Nov 22, 2019
Glass
Attitude Adjustment — Nov 05, 2019
Moan
Brownian Motion — Oct 30, 2019
Charting
2019-10-07 — 2019-12-09
| Week Ending | Airplays |
|---|---|
| Dec 8 | 1 |
| Nov 24 | 1 |
| Nov 10 | 1 |
| Nov 3 | 1 |
| Oct 27 | 2 |
| Oct 20 | 3 |
| Oct 13 | 1 |
Track listing
| 1. | Moan | ||
| 2. | Sand | ||
| 3. | Glass | ||
| 4. | Mississippi Kite | ||
| 5. | Fortune | ||
| 6. | Coals | ||
| 7. | Crooked | ||
| 8. | Krait | ||
| 9. | Flooding | ||
| 10. | Rubidoux |