Devil Isn't Red, the
Reviews
Mor
Reviewed 2004-05-19
Reviewed 2004-05-19
Instrumental experimental improvised rock (Post-Metal?). Sacramento duo (Spencer Seim, guitar; Zach Hill, drums) does it again. Intense, loud, mostly pure guitar/drum, often hyper-fast drumming. Notes claim the album was recorded all live. Powerful stuff, anything goes, 1,3,4,8,11 got to me more.
*1. [2:50] The assault begins with machine gun bursts of guitar, and drums. Excellent!*
2. [1:00] Short but
*3. [3:31] Climbing up the tones to a brief moment of blissful quiet – and resume the banging immediately for the rest of the track. Ouch!*
*4. [2:49]Fast guitar licks, not to be outdone by the drums, gets into an almost real groove. Wow.*
5. [2:10] Sounds like drumming on kitchen pots; some synth and casio beats for the first time in the album. Hypnotic track leading into noisy explosion, and ends with weird synth and real drums.
6. [3:54] Playing the electric with a bow? Builds into some sort of a real rhythm at the end.
7. [5:06] Beginning sounds like The Fall went mad. Riffs progress and become slower for a sec; wailing guitar accompanies to the end.
*8. [1:32] Industrial beat, fuzzy synth. Cute short untypical ditty to break the tensions.*
9. [3:18] Back to the “formula”. Almost a “song” with verses and chorus; but a quieter bridge takes it elsewhere.
10. [1:29] A beat, noises, slower drumming.
*11. [5:50] Start almost Pop, then fast drumming and quick riffs pick up, oh yeah! Some straightforward rhythm bits glued together perfectly. Last minute is an unrelated fuzzy, calm fade-out.*
*1. [2:50] The assault begins with machine gun bursts of guitar, and drums. Excellent!*
2. [1:00] Short but
*3. [3:31] Climbing up the tones to a brief moment of blissful quiet – and resume the banging immediately for the rest of the track. Ouch!*
*4. [2:49]Fast guitar licks, not to be outdone by the drums, gets into an almost real groove. Wow.*
5. [2:10] Sounds like drumming on kitchen pots; some synth and casio beats for the first time in the album. Hypnotic track leading into noisy explosion, and ends with weird synth and real drums.
6. [3:54] Playing the electric with a bow? Builds into some sort of a real rhythm at the end.
7. [5:06] Beginning sounds like The Fall went mad. Riffs progress and become slower for a sec; wailing guitar accompanies to the end.
*8. [1:32] Industrial beat, fuzzy synth. Cute short untypical ditty to break the tensions.*
9. [3:18] Back to the “formula”. Almost a “song” with verses and chorus; but a quieter bridge takes it elsewhere.
10. [1:29] A beat, noises, slower drumming.
*11. [5:50] Start almost Pop, then fast drumming and quick riffs pick up, oh yeah! Some straightforward rhythm bits glued together perfectly. Last minute is an unrelated fuzzy, calm fade-out.*
Recent airplay
Top 20 Notes
The Solipsist — Jan 19, 2012
Brown Medal 2003
Cognitive Overload — Jul 06, 2006
Top 20 Notes
Umami Jazz Program — Jun 06, 2006
The Great Architect of the
Multiple Personality Disorder — Oct 16, 2005
The Mother Could Be You
Umami Jazz Program — Oct 04, 2005
Welcome to the Jungle, Youre
Distraction-Limited — Sep 16, 2005
Charting
2004-05-17 — 2004-07-19
| Week Ending | Airplays |
|---|---|
| Jul 18 | 1 |
| Jul 11 | 2 |
| Jul 4 | 5 |
| Jun 20 | 2 |
| Jun 6 | 3 |
| May 30 | 4 |
| May 23 | 6 |
Track listing
| 1. | The Great Architect of the | ||
| 2. | Bigtime and the Kid | ||
| 3. | The Mother Could Be You | ||
| 4. | Top 20 Notes | ||
| 5. | Brown Medal 2003 | ||
| 6. | Suistyle | ||
| 7. | The Devil Isn't Red | ||
| 8. | Your Dj Parents | ||
| 9. | Woman of the 90'S | ||
| 10. | Except no Subs | ||
| 11. | Welcome to the Jungle, Youre |