Apropa't
World
| Mar 2004
Reviews
Captain Dee
Reviewed 2004-05-30
Reviewed 2004-05-30
Savath & Savalas is back with their second full album, and have evolved into something truly amazing. This is a Scott Herren (a.k.a. Prefuse 73) side project, so it should come as no surprise that the production and beats are top quality.
However, this is not trip-hop like you’ve heard it before. The whole album is based around a distinctly Spanish aesthetic, and centers upon the hypnotizing vocals (in Spanish) of Eva Puyuelo Muns. This might technically be electronica, but the album is more "organic" than a fucking vegetable farm.
The vocals are always somber, and the whole album has a very wistful (even sad) atmosphere. Though extremely accessible, the sound is multilayered and complex.
Please play this album!
All tracks are beautiful (and I really mean that), but I especially love 2, 3, 8, 9, 11.
- Captain Dee (Doug)
1. Short. Fuzzy noise replaced by wistful, fragmented guitars and harmonica. (1:07)
**2. Echoing vocals and rolling guitar melt into soft chimes and a slow, mesmerizing beat. Ends with a (nostalgic?) clarinet-harmonica duet over strumming guitar. Jesus Christ, this is incredible!! (4:33)
*3. Immediately launches into a muted but rockin’ hip hop beat. Layers of vocals almost seem to chant over distorted noise. (2:14)
4. No beat. Begins with female vocals over dark guitar strumming, then vocals fade into a wonderful mesh of horns, harmonica, chimes, and guitar. (3:01)
5. Rhythmic vocals over orchestra samples, noise and subtle clapping. Drums come in, and everything has an airy feel. Second half is another instrumental mesh. (3:24)
6. Piano and quiet train station samples are soon joined by rolling drums, horns, synths, vocals. This is very evocative of a train ride, somehow. (3:52)
7. Opens with piano, bizarre sounds. Understated beat, guitar, and oooh-ing vocals come in. Atmospheric interlude, then more developed synthesized beat. A certain tension pervades throughout. (3:34)
*8. Dramatic piano and sad vocals over breathy background vocals and chiming. A powerful (but restrained) beat joins in at parts. Sputters out in reverberations. (3:08)
*9. Cooing layers of vocals over beautiful guitar. As if sitting on the beach in an intensely nostalgic moment? (1:46)
10. Melodic duet of vocals, slow pulsating beat, high-pitched noises. Drums later change meter for a noisy interlude. Track fades in quiet soundscape. (3:30)
*11. Guitars seem surprisingly cheerful, with mutedly joyful chiming. Wistful chorus of breathy vocals. Transitions to cut-up synth loops, effusive guitar strumming. An intensely reflective track. (4:16)
12. Trippy vocals, unsettling piano and strings. Dramatic guitar interjections. Fades with a haunting (but lovely) soundscape of instruments. (3:29)
13. Short. Warm, cute interplay of synthesized sounds.
14. Surprisingly assertive vocals over glittering synths and piano. (2:06)
However, this is not trip-hop like you’ve heard it before. The whole album is based around a distinctly Spanish aesthetic, and centers upon the hypnotizing vocals (in Spanish) of Eva Puyuelo Muns. This might technically be electronica, but the album is more "organic" than a fucking vegetable farm.
The vocals are always somber, and the whole album has a very wistful (even sad) atmosphere. Though extremely accessible, the sound is multilayered and complex.
Please play this album!
All tracks are beautiful (and I really mean that), but I especially love 2, 3, 8, 9, 11.
- Captain Dee (Doug)
1. Short. Fuzzy noise replaced by wistful, fragmented guitars and harmonica. (1:07)
**2. Echoing vocals and rolling guitar melt into soft chimes and a slow, mesmerizing beat. Ends with a (nostalgic?) clarinet-harmonica duet over strumming guitar. Jesus Christ, this is incredible!! (4:33)
*3. Immediately launches into a muted but rockin’ hip hop beat. Layers of vocals almost seem to chant over distorted noise. (2:14)
4. No beat. Begins with female vocals over dark guitar strumming, then vocals fade into a wonderful mesh of horns, harmonica, chimes, and guitar. (3:01)
5. Rhythmic vocals over orchestra samples, noise and subtle clapping. Drums come in, and everything has an airy feel. Second half is another instrumental mesh. (3:24)
6. Piano and quiet train station samples are soon joined by rolling drums, horns, synths, vocals. This is very evocative of a train ride, somehow. (3:52)
7. Opens with piano, bizarre sounds. Understated beat, guitar, and oooh-ing vocals come in. Atmospheric interlude, then more developed synthesized beat. A certain tension pervades throughout. (3:34)
*8. Dramatic piano and sad vocals over breathy background vocals and chiming. A powerful (but restrained) beat joins in at parts. Sputters out in reverberations. (3:08)
*9. Cooing layers of vocals over beautiful guitar. As if sitting on the beach in an intensely nostalgic moment? (1:46)
10. Melodic duet of vocals, slow pulsating beat, high-pitched noises. Drums later change meter for a noisy interlude. Track fades in quiet soundscape. (3:30)
*11. Guitars seem surprisingly cheerful, with mutedly joyful chiming. Wistful chorus of breathy vocals. Transitions to cut-up synth loops, effusive guitar strumming. An intensely reflective track. (4:16)
12. Trippy vocals, unsettling piano and strings. Dramatic guitar interjections. Fades with a haunting (but lovely) soundscape of instruments. (3:29)
13. Short. Warm, cute interplay of synthesized sounds.
14. Surprisingly assertive vocals over glittering synths and piano. (2:06)
Recent airplay
Colores Sin Nombre
Captain Dee Finale: Part 2 — Jun 18, 2007
Colores Sin Nombre
Sad Men's Club (Live from Coachella 2004 Edition) — Jan 31, 2006
Colores Sin Nombre
Dancing in Outerspace — Feb 06, 2005
Um Girassol Da Cor De Seu Co
Selectronica — Jan 24, 2005
Te Quiero Pero Por Otro Lado
Go For Dover: Captain Dee's Top 21 Tracks of 2004 — Jan 10, 2005
Te Quiero Pero Por Otro Lado
Go For Dover: Halloween Mashup — Nov 01, 2004
Charting
2004-05-31 — 2004-08-02
Electronic, Reggae/World
| Week Ending | Airplays |
|---|---|
| Aug 8 | 1 |
| Aug 1 | 1 |
| Jul 25 | 1 |
| Jul 18 | 3 |
| Jul 11 | 5 |
| Jul 4 | 4 |
| Jun 27 | 1 |
| Jun 20 | 2 |
Track listing
| 1. | Introduction | ||
| 2. | Te Quiero Pero Por Otro Lado | ||
| 3. | Colores Sin Nombre | ||
| 4. | Balcon Sin Flores | ||
| 5. | A La Nit | ||
| 6. | Ultimo Tren | ||
| 7. | Sol De Media Tarde | ||
| 8. | Um Girassol Da Cor De Seu Co | ||
| 9. | Radio Llocs Espacials | ||
| 10. | Dejame | ||
| 11. | Por Que Ella Vino | ||
| 12. | Victima Belleza | ||
| 13. | Interludio 44 | ||
| 14. | Sigue Tu Camino |