Polaroid
General
| Apr 2004
Reviews
Kathryn Todd
Reviewed 2004-07-25
Reviewed 2004-07-25
Well-crafted pop. The lyrics are quite good, but the music really stands out. It’s varied, just complicated enough, and humorous. The promo sheet is right-this does often sound like the Beatles, although the quality of the male vocals is more like the Unicorns. Lyrics are mostly serious, deal with family relations.
Track 1: Mellow. Slow simple drumbeat and guitar. Depressive vocals. Guitars increase in density. Nice pulsing rhythms. Beatles-esque ocal harmonies.
Track 2: Catchy. Fake-out drum intro. Thin texture with unslicked vocals for first section. Ironic. Texture returns. Goes mono at the end. Fun.
Track 3: Bells intro. Quiet hissy percussion. ¾ time gives it a mellow swingy feel. Pleasant.
Track 4: Uptempo beat. Suicidal vocals. Happy melody.
Track 5: Buzzy tonal background. Strummy syncopated guitars quickly turn monotonous. Same moany vocals.
Track 6: Meringue percussion. Charming. Dissipated vocals. Funny lyrics. Recommended.
Track 7: Glass bead sounds. Growly guitars. Plaintive vocal melody.
Track 8: Lovely acoustic guitar intro. Faraway-sounding vocals. Spanish-y. Devastating lyrics sweetly delivered. Like Leonard Cohen.
Track 9: Placid generic acoustic guitar. Slow vocals. Strummy guitar track. Fluty sound effect. Goes uptempo and boppy.
Track 10: Muted bossa nova feel. High vibrating guitar notes give it a little bit of a psychedelic feel. Beatles feel comes from a lick stolen from “She’s Leaving Home.”
Track 11: Sounds like “Our House.” With a roller-rink organ. Hissy percussion.
Track 12: Contemplative. Acoustic guitar. Elegiac ending.
Track 13: False intro. Lots of reverb. Quiet. Strong rhythmic underpinning gives song forward momentum despite its calm.
-Kathryn
Track 1: Mellow. Slow simple drumbeat and guitar. Depressive vocals. Guitars increase in density. Nice pulsing rhythms. Beatles-esque ocal harmonies.
Track 2: Catchy. Fake-out drum intro. Thin texture with unslicked vocals for first section. Ironic. Texture returns. Goes mono at the end. Fun.
Track 3: Bells intro. Quiet hissy percussion. ¾ time gives it a mellow swingy feel. Pleasant.
Track 4: Uptempo beat. Suicidal vocals. Happy melody.
Track 5: Buzzy tonal background. Strummy syncopated guitars quickly turn monotonous. Same moany vocals.
Track 6: Meringue percussion. Charming. Dissipated vocals. Funny lyrics. Recommended.
Track 7: Glass bead sounds. Growly guitars. Plaintive vocal melody.
Track 8: Lovely acoustic guitar intro. Faraway-sounding vocals. Spanish-y. Devastating lyrics sweetly delivered. Like Leonard Cohen.
Track 9: Placid generic acoustic guitar. Slow vocals. Strummy guitar track. Fluty sound effect. Goes uptempo and boppy.
Track 10: Muted bossa nova feel. High vibrating guitar notes give it a little bit of a psychedelic feel. Beatles feel comes from a lick stolen from “She’s Leaving Home.”
Track 11: Sounds like “Our House.” With a roller-rink organ. Hissy percussion.
Track 12: Contemplative. Acoustic guitar. Elegiac ending.
Track 13: False intro. Lots of reverb. Quiet. Strong rhythmic underpinning gives song forward momentum despite its calm.
-Kathryn
Recent airplay
1978
Everyday Commotion — Apr 15, 2009
1978
music that doesn't hurt — Sep 30, 2004
The Ones Who Hurt Us
Multiple Personality Disorder — Sep 03, 2004
Nothing Ever Goes Right
The Literate Pop Fans — Aug 17, 2004
Nothing Ever Goes Right
Mr. Sparkle Challenge — Aug 11, 2004
Waiting for You
Lick my moody guitar show — Aug 10, 2004
Charting
2004-08-09 — 2004-10-11
| Week Ending | Airplays |
|---|---|
| Oct 3 | 1 |
| Sep 5 | 1 |
| Aug 22 | 1 |
| Aug 15 | 3 |
Track listing
| 1. | Everybody Wants to Be Loved | ||
| 2. | 1978 | ||
| 3. | Waiting for You | ||
| 4. | Nothing Ever Goes Right | ||
| 5. | Missing Funerals | ||
| 6. | We Did Some Things | ||
| 7. | A Family Disease | ||
| 8. | The Ones Who Hurt Us | ||
| 9. | One Foot Stuck in the Past | ||
| 10. | Dont Back Waves | ||
| 11. | Model Brothers | ||
| 12. | Christmas Eve |