Live: a Fortnight in France

Barber, Patricia
Blue Note
Jazz | Oct 2004

Reviews

Craig Matsumoto
Reviewed 2004-10-10
Jazz vocals with innovative touches; a modern NPR/Starbucks feel rather than a rehash of standards. Admittedly a bit slick but offers some new ideas and fresh challenges -- lyrically as well as musically (e.g. the political turn on #9).

Barber is a vocalist and songwriter but also a pianist and doesn't mind doing instrumentals here and there. The band includes piano, guitar, bass, drums.

1- Easygoing singer/songwriter feel
2- Mellow and pleasant; acoustic guitar
3- Almost fusion: Chugging midtempo, nice piano & guitar solos. (Inst.)
4- Slow ballad
5- Midtempo and spare, w/cool, echoey space guitar
6- Slow
7- Cocktail-jazz instrumental, mid/fast and upbeat
8- Beatles cover. Starts slow with rolling piano; gets into a faster, crisp soloing segment. A rare Beatles jazz cover that works!
9- Fast and ear-catching, with blurry strumming on guitar. Monologue on white sovereignity.
10- Slow, with '50s pop-jazz melody

Recent airplay

Pieces
RebopJul 04, 2013
Crash
The Jazz HourJul 09, 2010
Crash
Memory SelectDec 10, 2004
Witchcraft
Morning GloryNov 20, 2004
Whiteworld
No Cover, No MinimumNov 19, 2004
Whiteworld
Memory SelectNov 12, 2004

Charting

2004-10-11 — 2004-12-13 Jazz
Week EndingAirplays
Dec 12 1
Nov 21 2
Nov 14 1
Nov 7 1
Oct 24 1
Oct 17 2

Track listing

1. Gotcha
2. Dansons La Gigue!
3. Crash
4. Laura
5. Pieces
6. Blue Prelude
7. Witchcraft
8. Norwegian Wood
9. Whiteworld
10. Call Me