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Foster, Josephine and the Supp / All the Leaves Are Gone
Album:All the Leaves Are Gone Collection:General
Artist:Foster, Josephine and the Supp Added:11/2004
Label:Locust Music 

A-File Activity
Add Date:2005-04-10 Pull Date:2005-06-12 
Week Ending:12 Jun29 May22 May15 May1 May24 Apr17 Apr

 Recent Airplay
1.Dec 11, 2010:Music Casserole
4.Jul 03, 2010:Music Casserole
Who Will Feel Bitter at the
2.Oct 30, 2010:Music Casserole
Who Will Feel Bitter at the
5.Jun 05, 2010:Music Casserole
All the Leaves Are Gone
3.Jul 08, 2010:Value Machine
All the Leaves Are Gone
6.Aug 04, 2009:Jena & Gomorrah
All the Leaves Are Gone

Album Review
chopper dave
Reviewed 2005-04-02 
Some more of that psychedelic new folk everyone seems to be have been falling in love with, but what really makes this disc standout from the wealth of like-minded artists is Foster’s unique voice that’s very clearly operatically trained. Not only does it have a piercing clarity and a breathtaking range, but it has the perfect bravado to make these almost vaudevillian songs work. The guitar can be pretty whacked out as well with all over the place solos, but the focal point never drifts from her shrill dramatic vocals. All very startling and very nice; her voice is really something else. 60s influences very evident. I really enjoyed this one a lot; go forth and shatter some glass. My picks: 1, 3, 5, 7
*1- starts with careful picking and clear beautiful singing, has a determined feel, builds dramatically, something sounds exotic in the electric guitar
2- wavering voice, dramatic and powerful, guitar goes nuts soloing at the end
*3- a little Byrds-like, catchy, her operatic voice goes all over the place, the ending just might make some listeners’ testicles cringe a bit
4- cat power-like, calmer and sweet, ends with another aria-like display of vocal range
*5- dramatic in a cave-like way, sort of haunting
6- shrill voice, slow and methodical, it’s called “Silly Song,” but it sounds pretty serious, a little male backup, whistling (maybe that’s the silly part) over march-like drums at end
*7- rocking, distorted voice, wanky guitar
8- piercing high pitch voice, a bit of distant male backup, sparser and less chaotic, midtempo
9- tambourine, not sure why the guitar feels “sunny” but it does. I think it’s songs like this one that the label are referring to when they say she summons Patti Smith’s “mojo” (their word, not mine)
10- very beautiful, mostly acoustic
11- alternates between lullaby-like pleasantness and dramatic wavering voice
12- rocking, lots of that 60s goodness

Track Listing
1.Well-Heeled Men 7.Jailbird (Hero of the Sorrow
2.The Most Loved One 8.Worried and Sorry
3.All the Leaves Are Gone 9.Who Will Feel Bitter at the
4.Nana 10.John Ave. Seen From the Gray
5.Deathknell 11.Don't Wait, Mary Jane
6.Silly Song 12.(You Are Worth) a Million Do