Tripper
General
| Nov 2004
Reviews
Alex Dunn
Reviewed 2005-03-19
Reviewed 2005-03-19
Sigur Ros, except that it’s not. The main difference is that the lyrics are in English instead of a made-up language. Shares many of the same strong points, especially the excellent orchestration and beautiful melodies. This CD also has interesting, thoughtful electronic touches. All the tracks are similar, and similarly strong. Recommend all tracks.
1) 60 bpm. Electronic space sounds, rather pretty. Then strings, vocal chorus with indecipherable lyrics.
2) 60 bpm. Ballad. Electronics, piano, strings. Lovely soprano vocals. Interesting, glitchy editing. Brief trumpet interlude, then back to being good. Long nearly silent ending.
3) 80 bpm. Soprano/male vocals. Pretty, glitchy electronic background, later trumpet, strings. Gets beaty. Then segues to floating harmonium melody.
4) 55 bpm. Brooding, sparser than previous tracks. Later, full choir.
5) 75 bpm. Sweet, sad soprano vocals, then electronic beat and bells. Lovely piano/orchestral interlude, then chorus. Excellent.
6) 70 bpm. Begins with low, growling electronics. Gradual entrance by strings, indistinct m. vocals. Series of pretty orchestral washes
7) 80 bpm. Nervous electronic rhythm plus bells, brief pause, then resumes as a variation. Mostly electronic throughout, with brief appearances by trumpet.
8) 55 bpm. Subdued, bells, violin, chorus. Gradually grows, adding instruments, m./f. vocals. Beat gets crunchy briefly, them back to lovely choral form. Interesting microtonal end. Excellent.
9) 80 bpm. Electronics, piano, strong beat. M./f. vocals. Later strings, trumpet merge into rich sound. False ending ~1 min from end. Also very good.
Alex
1) 60 bpm. Electronic space sounds, rather pretty. Then strings, vocal chorus with indecipherable lyrics.
2) 60 bpm. Ballad. Electronics, piano, strings. Lovely soprano vocals. Interesting, glitchy editing. Brief trumpet interlude, then back to being good. Long nearly silent ending.
3) 80 bpm. Soprano/male vocals. Pretty, glitchy electronic background, later trumpet, strings. Gets beaty. Then segues to floating harmonium melody.
4) 55 bpm. Brooding, sparser than previous tracks. Later, full choir.
5) 75 bpm. Sweet, sad soprano vocals, then electronic beat and bells. Lovely piano/orchestral interlude, then chorus. Excellent.
6) 70 bpm. Begins with low, growling electronics. Gradual entrance by strings, indistinct m. vocals. Series of pretty orchestral washes
7) 80 bpm. Nervous electronic rhythm plus bells, brief pause, then resumes as a variation. Mostly electronic throughout, with brief appearances by trumpet.
8) 55 bpm. Subdued, bells, violin, chorus. Gradually grows, adding instruments, m./f. vocals. Beat gets crunchy briefly, them back to lovely choral form. Interesting microtonal end. Excellent.
9) 80 bpm. Electronics, piano, strong beat. M./f. vocals. Later strings, trumpet merge into rich sound. False ending ~1 min from end. Also very good.
Alex
Recent airplay
Swarming
blood orangeasm — Oct 28, 2010
Doppelganger
The Sultry Poo Story — Feb 12, 2010
Swarming
Radiophonic — Dec 04, 2009
Monopolist
orangeasm — Feb 20, 2009
Swarming
Nag Champa DroneGasm — Aug 09, 2008
Swarming
The Devil's Collective — May 26, 2005
Charting
2005-03-27 — 2005-05-29
| Week Ending | Airplays |
|---|---|
| May 29 | 2 |
| May 15 | 1 |
| May 1 | 1 |
| Apr 24 | 1 |
| Apr 17 | 3 |
| Apr 3 | 2 |
Track listing
| 1. | Foetus | ||
| 2. | Swarming | ||
| 3. | Step Aside | ||
| 4. | Prey and Predator | ||
| 5. | Collecting Shields | ||
| 6. | Doppelganger | ||
| 7. | Tortuous Tracks | ||
| 8. | Monopolist | ||
| 9. | Chapter 6 |