Same Mother

Jazz | Mar 2005

Reviews

Craig Matsumoto
Reviewed 2005-03-12
Blue Note's star pianist digs into some blues forms -- the album's title comes from the idea that blues and jazz come from the same mother.

The "blues" part brings out new sides of Moran's music -- Mardi Gras warmth (2), pool-hall cool (5) -- as opposed to the steely hipness of past albums. The addition of a guitarist is another departure for him.

But Moran is still in there. The music is spiced with his usual blend of Greg Osby-like angularity and flutterings of hip-hop influence. And his solos still amaze and delight. Recommended, and you should be listening to his other albums too.

1- Thundering but friendly. Mid/slow but energetic.
2- Big, fun, jumping. Moran shows he can boogie-woogie
3- Quieter, acoustic, gentle
4- Lush cocktail sound, gets faster and stormier
5- Glassy blues, with guitar and some fierce moments
6- Dramatic, vaguely tango-esque. Gets fast and swirling.
7- Gets big and stormy. With slide guitar.
8- Quiet burblings, strange slinky guitar, a bit ominous
9- Grand and studious, a nearly new-age landscape
10- Choppy, aggressive, a bit bluesy, pretty cool

Recent airplay

Jump Up
Music CasseroleAug 12, 2023
Gangsterism on the Rise
The [Pianist's] PanoplyApr 26, 2005
Aubade
Memory SelectApr 22, 2005
G Suit Saltation
False AlarmApr 20, 2005
Jump Up, Fire Waltz
Gangsterism on the Rise
Black and BlueApr 18, 2005

Charting

2005-03-13 — 2005-05-15 Jazz
Week EndingAirplays
May 1 1
Apr 24 4
Apr 17 3
Apr 10 2
Apr 3 2

Track listing

1. Gangsterism on the Rise
2. Jump Up
3. Aubade
4. G Suit Saltation
5. I'll Play the Blues for You
6. Fire Waltz
7. Field of the Ded
8. Restin'
9. The Field
10. Gangsterism on the Set