Continuous Peasant / Intentional Grounding |
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Album: | Intentional Grounding | Collection: | General | |
Artist: | Continuous Peasant | Added: | May 2005 | |
Label: | Good Forks |
A-File Activity |
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Add Date: | 2005-06-26 | Pull Date: | 2005-08-28 |
Week Ending: | Jul 10 |
Airplays: | 2 |
Recent Airplay
1. | Aug 12, 2006: | What's in the Icebox? Less Misogynist (When I'm Wi | 4. | Jun 22, 2005: | Epic Soundtracks Santa Cruz Song | |
2. | Jul 08, 2005: | The Dog and Pony Show You Don't Believe in Nuthin' | 5. | Jun 01, 2005: | Epic Soundtracks Ultimatum | |
3. | Jul 06, 2005: | Epic Soundtracks All I'm Saying |
Album Review |
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Murray Reviewed 2005-06-15 | ||
Local indie rock. Soft & gentle (mostly), with razorblades for teeth... the gentleness from disarmingly offhand (sometimes off-key) male vocals and swaying folk-rock arrangements, the teeth from high-IQ, blade-sharp lyrics. Chris Stroffolino’s voice (he was in Silver Jews briefly) brings to mind (too?) many singers: Stephen Malkmus, Bob Dylan, Warren Zevon, Ron House. But songs are great... and voice can grow on you. Second LP from these locals led by a poet/English prof. This time around I think he’s been listening to more ’70s (pre-punk) music... includes lyrical references to The Kinks and Neil Diamond. Most songs slow, a couple faster & noisier. Many begin with a few seconds of silence, most end with slow fade. FCC: 5. For noisy start with 7. For gentle start with 1, 3, 6. http://continuouspeasant.com/ ==> 1. Sleepy & introspective. “The radio can act like a savior. But just like the church leaves you in a lurch.” Starts with 6 secs. silence then guitar. 2. Med. fast, energetic. Starts with a few secs. of silence, then full band. Slow fade. ==> 3. Slow & dreamy. Great, sardonic, painfully honest lyrics about feminism & misogyny. “I used to fear the women who wanted to be free, and had contempt for others who chained themselves to me. But I feel like I’m less misogynist when I’m with you.” Starts with guitar. 4. Med. fast. Starts with weird effect, sort of like flushing. Perky. Includes a Beatles harmony reference. 5. FCC (“fuck,” one time). Rockin’ & noisy & politically pissed off. If your show is during safe harbor, play this track. In parts sounds a bit like The Ex. Starts & ends with moaning feedback guitar. ==> 6. Slow & heartrending. Three songs in one, melodically. “You didn’t see how I had to forget you. You didn’t know that was how I met you. I wasn’t putting you on.” Starts with solo voice. ==> 7. Faster & noisier. Starts with lo-fi vocal sample. Sounds a lot like Great Plains (the Ohio band). “You don’t believe in nothin’ anymore!” 8. Quiet & slow, gets louder & quiet again. Starts with guitar & piano. Sparse and powerful. Chord changes come from ?___________________. 9. Whimsical shuffle beat & honky-tonk piano belie profound, subtle lyrics. Passing lyrical reference to The Kinks. 10. Med. fast. Male/female harmony vocals. Beat alternates between rolling along and hanging suspended. 11. Med. tempo. “Settle down and buy a horse. Then have three kids and get divorced.” Song ends with 17 secs. of silence. 12. Unlisted track. Starts with bass. Med. fast. Prominent piano. Very pre-punk ’70s. Lyrical reference to Neil Diamond. |
Track Listing |
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