Noland, Gary / 24 Interludes For Piano, Vol. 1
| Album: | 24 Interludes For Piano, Vol. 1 | Collection: | Classical | |
| Artist: | Noland, Gary | Added: | Oct 2005 | |
| Label: | North Pacific Music | |||
A-File Activity
| Add Date: | 2005-12-18 | Pull Date: | 2006-02-19 |
|---|
| Week Ending: | Jan 22 | Jan 15 | Jan 8 | Jan 1 |
|---|---|---|---|---|
| Airplays: | 1 | 1 | 1 | 1 |
Recent Airplay
| 1. | Jan 18, 2006: | asymptotic subbing for Blu G
Espresso Wagon |
3. | Jan 06, 2006: | Eels in the Loo
Pseudodoxes And Crocodilities |
|
| 2. | Jan 14, 2006: | Killer Yellow
Espresso Wagon |
4. | Dec 30, 2005: | No Cover, No Minimum
Sevunupmanship |
Album Review
Peter
Reviewed 2005-12-15
Reviewed 2005-12-15
Gary Noland – 24 Interludes for Piano – Volume 1 – North Pacific Music
Reviewed by Peter – 12-15-2005
Solo works for piano. I enjoyed the album – it’s accessible while remaining interesting and lighthearted. Noland doesn’t take himself too seriously, which makes for a fun listen. Can’t go wrong here, just depends on your mood.
1. Spirited, staccato piece – kind of exciting.
2. Lots of light flurry in the high keys over a very slow, low, base.
3. Piece seemed familiar for some reason – sort of a Romantic Bach (maybe?)
4. Boiling, sometimes frenetic piano.
5. Has a solid feeling to it compared to some of the lighter pieces, but it’s not heavy.
6. Lively piece with moments of silent-film score (both comedy and some slightly more dramatic moments).
7. Fast, strolling, Gershwin feel. Gets intense.
8. Fun, fast, short piece.
9. A little more sparse, relaxed, but still has plenty of movement (especially in higher keys).
10. Lots going on in a short piece – a lot of notes, moments of dark tension, moments of light-hearted, trotting-along.
11. Jazziest piece on the album, but still a classical feel overall.
12. Chaotic, turbulent piece. Left and right hands often going off in different directions.
Reviewed by Peter – 12-15-2005
Solo works for piano. I enjoyed the album – it’s accessible while remaining interesting and lighthearted. Noland doesn’t take himself too seriously, which makes for a fun listen. Can’t go wrong here, just depends on your mood.
1. Spirited, staccato piece – kind of exciting.
2. Lots of light flurry in the high keys over a very slow, low, base.
3. Piece seemed familiar for some reason – sort of a Romantic Bach (maybe?)
4. Boiling, sometimes frenetic piano.
5. Has a solid feeling to it compared to some of the lighter pieces, but it’s not heavy.
6. Lively piece with moments of silent-film score (both comedy and some slightly more dramatic moments).
7. Fast, strolling, Gershwin feel. Gets intense.
8. Fun, fast, short piece.
9. A little more sparse, relaxed, but still has plenty of movement (especially in higher keys).
10. Lots going on in a short piece – a lot of notes, moments of dark tension, moments of light-hearted, trotting-along.
11. Jazziest piece on the album, but still a classical feel overall.
12. Chaotic, turbulent piece. Left and right hands often going off in different directions.
Track Listing