|Scelsi, Giacinto / Art Of Song, The|
|Album:||Art Of Song, The||Collection:||Classical|
|Artist:||Scelsi, Giacinto||Added:||Apr 2006|
|Label:||New Albion Records|
|Add Date:||2006-04-23||Pull Date:||2006-06-25||Charts:||Classical/Experimental|
|Week Ending:||Jun 18||May 21||May 14||May 7||Apr 30|
|1.||May 12, 2008:||Emphysema For Emphasis |
|4.||Jun 15, 2006:||music->happy |
|2.||Mar 13, 2007:||Jena and Gomorrah |
|5.||Jun 13, 2006:||America's Least Wanted |
|3.||Jun 17, 2006:||Cognitive Overload |
|6.||May 19, 2006:||The National Congress Of Vaselines |
Scelsi, Giancinto Art Of Song New Albion|
Experimental/Classical vocal composition sung by Marianne Schuppe. She has a strong, expressive voice and fantastic technique. The compositions are divorced from words. Instead the focus is strange phonetic sounds, microtones (a continuum of pitch like a trombone), dynamics, and above all, vocal timbre. FCC clean. TRACK TIMES ON BACK.
**(1-4) The voice is overdubbed, and the harmonies, vibrato, and harsh syllables add much (in)tenseness to disturbing effect. Probably the most emotional tracks, each track similar tho.
(5-9) Solo voice. Sounds more like a technical exploration of phonetic sounds and jumpy melodies especially 5,6,8. 7&9 i found bit more musical.
**(10-13) Solo voice. 10 - really loud and intense. 11 - measured with a range of sounds. 12 - low pitched moaning. 13 - variations on one syllable (Ha).
|1.||Sauh I||7.||Taiagarù Iii|
|2.||Sauh Ii||8.||Taiagarù Iv|
|3.||Sauh Iii||9.||Taiagarù V|
|4.||Sauh Iv||10.||Hô I|
|5.||Taiagarù I||11.||Hô Ii|
|6.||Taiagarù Ii||12.||Hô Iii|