Industrial Jazz A Go-Go
Jazz
| Apr 2006
Reviews
Craig Matsumoto
Reviewed 2006-07-21
Reviewed 2006-07-21
FUN! A glorious, accessible mash-up: Horns dishing out instrumental doo-wop, mariachi music, minimalism, free jazz solos, big band, danceable beats, undanceable odd time signatures, and a sense of humor.
Tracks go in multiple phases, so if the first couple minutes don't grab you, just keep listening... it's like composer Andrew Durkin is taking the band on a massive road trip every time.
Lots of high volumes and strong tempos for an exhiliarating ride. Also lots of smart-ass breaks and the occasional free-jazz attack, giving the session a creative, hip, humorous air -- not a plain old big band at all.
1- Doo-wop piano, into a swingy, seasick carnival riff. Insane, cartoony-fast ending.
2- New Orleans jazz intro, swingy and swaying. Chiming interlude, then a fast stomping ending.
3- Fiesta meets minimalist repetition -- mid/fast. Gets into sparse but fast avant-classical noodling later, in a jokey way.
4- Like Western theme music (the "Magnificent Seven" kind). Gentle mid/fast in 5/8 time.
5- Jaunty strolling riff, like a '50s TV commercial where everybody's smiling. Gets into an odd-time riff w/crazy sax solo, then into a FUNKY place with wah-wah guitar. Lots of repetitious riffs but really worth it.... you can hear that initial riff (which just burrows into your brain) get progressively more "drunk" as time passes.
6- Serious canon, w/overlapping horn lines. No soloing.
7- Latin dance with heavy drums, catchy and heavy. Gets into odd interludes of weird chamber horns fading in and out. Fast, jerky finale in 9/8 time.
8- Big dramatic intro, then: Fast, danceable R&B / Slow mock-graduation music / Really fast free-jazz trio / Short ending.
Tracks go in multiple phases, so if the first couple minutes don't grab you, just keep listening... it's like composer Andrew Durkin is taking the band on a massive road trip every time.
Lots of high volumes and strong tempos for an exhiliarating ride. Also lots of smart-ass breaks and the occasional free-jazz attack, giving the session a creative, hip, humorous air -- not a plain old big band at all.
1- Doo-wop piano, into a swingy, seasick carnival riff. Insane, cartoony-fast ending.
2- New Orleans jazz intro, swingy and swaying. Chiming interlude, then a fast stomping ending.
3- Fiesta meets minimalist repetition -- mid/fast. Gets into sparse but fast avant-classical noodling later, in a jokey way.
4- Like Western theme music (the "Magnificent Seven" kind). Gentle mid/fast in 5/8 time.
5- Jaunty strolling riff, like a '50s TV commercial where everybody's smiling. Gets into an odd-time riff w/crazy sax solo, then into a FUNKY place with wah-wah guitar. Lots of repetitious riffs but really worth it.... you can hear that initial riff (which just burrows into your brain) get progressively more "drunk" as time passes.
6- Serious canon, w/overlapping horn lines. No soloing.
7- Latin dance with heavy drums, catchy and heavy. Gets into odd interludes of weird chamber horns fading in and out. Fast, jerky finale in 9/8 time.
8- Big dramatic intro, then: Fast, danceable R&B / Slow mock-graduation music / Really fast free-jazz trio / Short ending.
Recent airplay
Elmore Was Here
soul eclipse — Sep 16, 2006
Baby, Shake That Thing
Memory Select: Dewey Redman, RIP — Sep 08, 2006
Doo When?
Memory Select — Sep 01, 2006
El Grupo De Jazz Indistriale
Umami Jazz Program — Aug 29, 2006
Elmore Was Here
soul eclipse: SWUNK live! — Aug 26, 2006
The Truth And The Abstract Blues
Memory Select — Aug 25, 2006
Charting
2006-07-23 — 2006-09-24
Jazz
| Week Ending | Airplays |
|---|---|
| Sep 17 | 1 |
| Sep 10 | 1 |
| Sep 3 | 2 |
| Aug 27 | 3 |
| Aug 20 | 3 |
| Aug 13 | 2 |
| Aug 6 | 2 |
| Jul 30 | 3 |
Track listing
| 1. | Doo When? | ||
| 2. | Elmore Was Here | ||
| 3. | Bandoleero, Part One | ||
| 4. | Bandoleero, Part Two | ||
| 5. | The Truth And The Abstract Blues | ||
| 6. | Cannon Indie | ||
| 7. | El Grupo De Jazz Indistriale | ||
| 8. | Baby, Shake That Thing |