Dysrhythmia / Barriers And Passages
| Album: | Barriers And Passages | Collection: | General | |
| Artist: | Dysrhythmia | Added: | Jun 2006 | |
| Label: | Relapse Records | |||
A-File Activity
| Add Date: | 2007-02-25 | Pull Date: | 2007-04-29 | Charts: | Loud |
|---|
| Week Ending: | Apr 15 | Mar 18 | Mar 11 | Mar 4 |
|---|---|---|---|---|
| Airplays: | 1 | 2 | 3 | 2 |
Recent Airplay
| 1. | Apr 11, 2007: | Sign My Yearbook!
Will The Spirit Prevail? |
4. | Mar 10, 2007: | Cognitive Overload
An Ally To Comprehension |
|
| 2. | Mar 14, 2007: | Baptism of Solitude
An Ally To Comprehension |
5. | Mar 07, 2007: | Baptism of Solitude
An Ally To Comprehension |
|
| 3. | Mar 12, 2007: | Speak Me How To Teach
Will The Spirit Prevail? |
6. | Mar 05, 2007: | Speak Me How to Teach
Will The Spirit Prevail? |
Album Review
Kraid
Reviewed 2007-02-14
Reviewed 2007-02-14
Dysrhythmia - Barriers and Passages
Heavy Math-Rock. Guitar, Drum, and Bass, all tracks instrumental. Somewhere between arty math rock and post punk/rock and hipster metal, a mix between the VSS, Hella, Isis, and Shellac. *All FCC Clean.* Tracks 10; 9; 7, 8.
1. Dramatic, moody/mathy intro. [1:13]
2. Spastic, choppy guitar/bass flows into melodic instrumental passage; riles it back up at 1:05 for a more metaly finish. [3:06]
3. Unnerving horror film guitar intro leads into heavier mathy riffs. [3:14]
4. Dark and metaly, with atonal harmonics. [4:10]
5. More post-rock in parts (especially the last two minutes), with a centerpiece of guitar dissonance. Fakish ending at 20 sec. to go. [7:41]
6. Higher pitched with art rocky guitar in places and almost-traditional-metal guitar power chord riffs elsewhere. Second half more spastic and mathy. [2:23]
*7. Quck, forward-pushing guitar intro, builds nervously for a long time into a fuzzy slide at the end. [5:32]
*8. Very fast instrumentation, starting and stopping and rapid changing-up-of-things. [1:46]
**9. Slow and moody, meditative and beautiful. [4:25]
***10. Much more strutured, full on post-hardcore, post-metal, post-whatever AWESOMENESS. Lots of starting and stopping in the middle. [3:16]
/Kraid
Heavy Math-Rock. Guitar, Drum, and Bass, all tracks instrumental. Somewhere between arty math rock and post punk/rock and hipster metal, a mix between the VSS, Hella, Isis, and Shellac. *All FCC Clean.* Tracks 10; 9; 7, 8.
1. Dramatic, moody/mathy intro. [1:13]
2. Spastic, choppy guitar/bass flows into melodic instrumental passage; riles it back up at 1:05 for a more metaly finish. [3:06]
3. Unnerving horror film guitar intro leads into heavier mathy riffs. [3:14]
4. Dark and metaly, with atonal harmonics. [4:10]
5. More post-rock in parts (especially the last two minutes), with a centerpiece of guitar dissonance. Fakish ending at 20 sec. to go. [7:41]
6. Higher pitched with art rocky guitar in places and almost-traditional-metal guitar power chord riffs elsewhere. Second half more spastic and mathy. [2:23]
*7. Quck, forward-pushing guitar intro, builds nervously for a long time into a fuzzy slide at the end. [5:32]
*8. Very fast instrumentation, starting and stopping and rapid changing-up-of-things. [1:46]
**9. Slow and moody, meditative and beautiful. [4:25]
***10. Much more strutured, full on post-hardcore, post-metal, post-whatever AWESOMENESS. Lots of starting and stopping in the middle. [3:16]
/Kraid
Track Listing
| 1. | Pulsar | 6. | Kamma Niyama | |||
| 2. | Appeared At Fist | 7. | Sleep Decayer | |||
| 3. | Bypass The Solenoid | 8. | Bus: Terminal | |||
| 4. | An Ally To Comprehension | 9. | Luminous | |||
| 5. | Seal/Breaker/Void | 10. | Will The Spirit Prevail? |