A Discontinuous Line

Jazz | Sep 2006

Reviews

Craig Matsumoto
Reviewed 2006-10-28
Free jazz that takes off from the '60s tradition but adds extra layers of ferocity and a knowledge of modern-classical music. Themes are jamming and even melodic, and solos get furious and wild. Great stuff from the prolific Vandermark, who leads about 1,000 bands in Chicago, this one being his main vehicle. Vandermark sticks to the gruff, heavy baritone sax and/or clarinets, while Dave Rempis burns it up on the more "normal" alto/tenor saxes. Fred Lonberg-Holm on cello adds some interesting non-standard sounds. Great energetic stuff, as usual.

1- Coolly mid/fast and tense, w/great sax solos and a quieter bass/cello interlude
2- Swingy midtempo, happy. Then, more complex grooves, fast.
3- Quiet, with disconnected classical/improv feel. Interesting and exploratory.
4- Stately intro, into jazzy groove and a chunky bass/cello riff. Chaotic and disjoint near the ferocious end.
5- Swingy, mid/fast ... into fierce, spare sax attack
6- Curious improv/classical, bright but sparse
7- Dusky, passionate blast, not that fast but gets ferocious
8- Easygoing, low-key groove. 2nd half faster and bright.

Recent airplay

Aperture
Memory SelectAug 26, 2010
Some Not All
Jena and GomorrahMar 13, 2007
Morricone
Memory SelectDec 29, 2006
The Ladder
Reciprocal
Memory SelectNov 24, 2006
Convertible, Version One
Memory SelectNov 03, 2006

Charting

2006-10-29 — 2006-12-31 Jazz
Week EndingAirplays
Dec 31 1
Dec 17 1
Nov 26 1
Nov 5 3

Track listing

1. Convertible, Version One
2. Reciprocal
3. La Dernier Cri
4. Some Not All
5. Aperture
6. Morricone
7. Convertible, Version Two
8. The Ladder