A real hodge podge of styles. Possibly what you get when you try to take 3 parts Anticon rap indie , 1 part americana/folk and set out to make a 'pop' album (this one isn't getting any major radio play). Mostly rapping, sing/rapping, speak/rapping. A mix of wordy anticon and the rapid fire delivery characteristic of California Latino hip hop. Musicality Picks 4,1
Hip hop picks: 2
*1-(1:00) Mid americana banjo strum 1/2way thru gets low beat and synths! and distorted beats.
*2-(3:11) Dark, glitchy beat. Mikah Nine style cadence. Mr. Roger's sample at end.
3-(1:08) Mid/fast beat. Percussive, strained rap/song.
***4-(1:21) Brisk waltz with strings & melodica. 1/2way full pop enters. Catchy. indecent FCC fuck. Blue Velvet sample. Short and well done.
5-(2:19) Anticon hop. spoken rap. Disillusioned, painful lyrics. indecent FCC fuck.
6-(3:58) Mid. Underground/indie hip hop sound. FCC fucking, pussy, dick . Last 15 sec. silence.
7-(1:28) Slow/mid hip hop. Surreal vocal sample.
Fuzzy beats, almost instr. with chanted hook.
8-(0:50) "literary" folk. FCC fuck, fucking repeated.
9-(2:31) Sparse beat: jazz bass and Davis horn, trap set. Melancholy lyrics ft. Penny
10-(1:22) Electronic beat, with Tomo sounds. Distant singing. Xiu xiu-y.
11-(3:43) Mid/fast beat. Hip hop. some scratching and samples. Tacky "meaningful" piano. Ends quiet. ft. !Con the Mic King, David Ramos, & Shoshin
12-(3:59) Starts quiet. Funky, live bass, drums, and guitar. This one is just bad. Last 5 sec. are a thrash/grind sample.
13-(2:18) Slow, downer hip hop beat. Ends with cool old sample.
14-(1:11) Fast alt.-folk guitar.