Mirror Of Time
Reggae
| May 2007
Reviews
Sadie O.
Reviewed 2007-06-04
Reviewed 2007-06-04
Fundamental Sound – Mirror of Time
Reviewed by Sadie O., 5/30/07
Dub/Reggae/electronica/sound collage/jazz all done by one guy named Miles Rogers, with a female guest singer on two tracks. Some very nice beats, but sometimes I wish he’d done just instrumentals. The first 13 tracks (except interludes) are roots reggae at their basis, the last 5 are a bit jazzy, not reggae.
No FCCs that I heard. 6 and 15 are best, IMO.
1. *starts with whispers and electronic burbles – quite soft. Builds and recedes – bits of horn… beat starts a minute along. Downtempo one-drop with individual instruments, mellow.
2. Beeps – first heartbeat rhythm, then very fast, with processed vocals.
3. **midtempo skank with bits of spoken vocals repeated.
4. ***midtempo skank with rather robotic spoken word at intro. Nice juicy dub.
5. **pretty female vocals, downtempo dub skank.
6. ****simple one-drop intro, processed male vocals. Beat comes in after 30 seconds, wicked electronic midtempo dub. Sick!
7. 15 seconds of heavily processed female speaking.
8. **uptempo skank dub, but mellow and groovy, with lots of happy-sounding guitar.
9. **roots bubble with keyboard and bass – sweet and nice.
10. ***great midtempo bubble with bloopy bass noises. Female vocals – I kinda wish it was an instrumental, actually.
11. ***midtempo skank with melodica. Everyone does dub with melodica, and the infuriating thing is that it still sounds good.
12. **midtempo skank with male vocals in harmony. Much jauntier riddim than the lyrics would indicate.
13. ***midtempo skank – some fun keyboard sounds and dubby bits.
14. 9 seconds of overprocessed speech.
15. ****funky but laid-back midtempo strut – lots of interesting noises, lyrics seem to be a take-off on “Cisco Kid”.
16. *mellow and jazzy pianos and midtempo beat (not reggae), relaxed vocals.
17. ***cool downtempo riddim with slightly processed speech – I think this is Agnew’s “effect intellectual snobs” speech. LONG fade.
18. *extremely downtempo jazzy bounce with chimes and bass.
19. *random electronica, gradually forming into a hyperspeed something…. I’m pretty sure there were a lot of German groups doing this sort of thing back when I was dropping acid…
Reviewed by Sadie O., 5/30/07
Dub/Reggae/electronica/sound collage/jazz all done by one guy named Miles Rogers, with a female guest singer on two tracks. Some very nice beats, but sometimes I wish he’d done just instrumentals. The first 13 tracks (except interludes) are roots reggae at their basis, the last 5 are a bit jazzy, not reggae.
No FCCs that I heard. 6 and 15 are best, IMO.
1. *starts with whispers and electronic burbles – quite soft. Builds and recedes – bits of horn… beat starts a minute along. Downtempo one-drop with individual instruments, mellow.
2. Beeps – first heartbeat rhythm, then very fast, with processed vocals.
3. **midtempo skank with bits of spoken vocals repeated.
4. ***midtempo skank with rather robotic spoken word at intro. Nice juicy dub.
5. **pretty female vocals, downtempo dub skank.
6. ****simple one-drop intro, processed male vocals. Beat comes in after 30 seconds, wicked electronic midtempo dub. Sick!
7. 15 seconds of heavily processed female speaking.
8. **uptempo skank dub, but mellow and groovy, with lots of happy-sounding guitar.
9. **roots bubble with keyboard and bass – sweet and nice.
10. ***great midtempo bubble with bloopy bass noises. Female vocals – I kinda wish it was an instrumental, actually.
11. ***midtempo skank with melodica. Everyone does dub with melodica, and the infuriating thing is that it still sounds good.
12. **midtempo skank with male vocals in harmony. Much jauntier riddim than the lyrics would indicate.
13. ***midtempo skank – some fun keyboard sounds and dubby bits.
14. 9 seconds of overprocessed speech.
15. ****funky but laid-back midtempo strut – lots of interesting noises, lyrics seem to be a take-off on “Cisco Kid”.
16. *mellow and jazzy pianos and midtempo beat (not reggae), relaxed vocals.
17. ***cool downtempo riddim with slightly processed speech – I think this is Agnew’s “effect intellectual snobs” speech. LONG fade.
18. *extremely downtempo jazzy bounce with chimes and bass.
19. *random electronica, gradually forming into a hyperspeed something…. I’m pretty sure there were a lot of German groups doing this sort of thing back when I was dropping acid…
Recent airplay
You'll Stay
Happy Hour — Dec 21, 2015
You'll Stay
Happy Hour (Coverin' for PACC) — Nov 11, 2013
You'll Stay
Happy Hour — Jul 29, 2013
The Zenith, A Million Times Before
Happy Hour — Feb 21, 2013
My Day's Begun
Sunshine . . . in the Afternoon — Jun 01, 2012
The Root
Happy Hour — Feb 20, 2012
Charting
2007-06-10 — 2007-08-12
Reggae/World
| Week Ending | Airplays |
|---|---|
| Aug 12 | 2 |
| Aug 5 | 1 |
| Jul 29 | 1 |
| Jul 22 | 1 |
| Jul 15 | 1 |
| Jul 8 | 2 |
| Jul 1 | 2 |
| Jun 24 | 1 |
Track listing
| 1. | Today Is The Limit | ||
| 2. | Interlude A | ||
| 3. | Cocaine | ||
| 4. | The Root | ||
| 5. | You'll Stay | ||
| 6. | Wicked System | ||
| 7. | Interlude B | ||
| 8. | Shalowmar | ||
| 9. | Shine On Me | ||
| 10. | All In Your Head | ||
| 11. | Kmb | ||
| 12. | A Million Times Before | ||
| 13. | Mirror Of Time | ||
| 14. | Interlude C | ||
| 15. | West Los Kid | ||
| 16. | In Rewind | ||
| 17. | The Zenith | ||
| 18. | My Day's Begun | ||
| 19. | Tornada Vin |