Yoshihide, Otomo/New Jazz Orchestra / Out To Lunch
Album: | Out To Lunch | Collection: | Jazz | |
Artist: | Yoshihide, Otomo/New Jazz Orchestra | Added: | Sep 2007 | |
Label: | Doubt Music |
A-File Activity
Add Date: | 2007-10-14 | Pull Date: | 2007-12-16 | Charts: | Jazz |
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Week Ending: | Dec 16 | Dec 9 | Dec 2 | Nov 18 | Nov 11 | Nov 4 | Oct 21 |
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Airplays: | 2 | 1 | 1 | 2 | 3 | 1 | 2 |
Recent Airplay
1. | Oct 20, 2009: | Memory Select
Gazzelloni |
4. | Dec 14, 2007: | Memory Select
Hat And Beard |
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2. | Dec 21, 2007: | Memory Select
Gazzelloni |
5. | Dec 12, 2007: | Baptism of Solitude
Gazzelloni |
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3. | Dec 19, 2007: | Baptism of Solitude
Gazzelloni |
6. | Dec 07, 2007: | Memory Select
Out To Lunch |
Album Review
Craig Matsumoto
Reviewed 2007-10-05
Reviewed 2007-10-05
A very modern reworking of Eric Dolphy's 1964 free-jazz classic. Tougher, noisier, freer, brash. Dolphy's compositions are tangibly intact but beefed up for the '00s and thrown into rougher hands. It's great.
Tracks 1 and 4 preserve some of that bold '60s horn sound and use vibraphone as a backdrop, as the original did. From there, it just gets nuts. Touches like turntables and Otomo's electric guitar -- things obviously not on the original. Plus, Otomo has lined up a barrage of horn players, for a variety of soloing voices. (Dolphy's album had him and Freddie Hubbard). Instrumental. FCC clean.
1- Heavy and chunky; multiple solos over tinkly electronics sounds and tough drums.
2- The Slow One, made less pretty here. Starts with a slow-burn acid romp, turns into a cavalcade of wailing horns.
3- GAAAAA! A japanoise punk explosion! GO! GO! GO!
4- A swaying '60s line, mid/fast, with high-energy chaos improv. The cutesy chime of vibes next to careening, wild horns. Disturbingly long pauses, including one around -2:00, just to mess with you. SONG ENDS 10 SECONDS EARLY!
5- Bold midtempo horns, into a mystical electronics drone. Big tumultuous improv later. Second half is VERY quiet. You might want to play just the first half (or, for quiet late-night eerieness, just the second half).
Tracks 1 and 4 preserve some of that bold '60s horn sound and use vibraphone as a backdrop, as the original did. From there, it just gets nuts. Touches like turntables and Otomo's electric guitar -- things obviously not on the original. Plus, Otomo has lined up a barrage of horn players, for a variety of soloing voices. (Dolphy's album had him and Freddie Hubbard). Instrumental. FCC clean.
1- Heavy and chunky; multiple solos over tinkly electronics sounds and tough drums.
2- The Slow One, made less pretty here. Starts with a slow-burn acid romp, turns into a cavalcade of wailing horns.
3- GAAAAA! A japanoise punk explosion! GO! GO! GO!
4- A swaying '60s line, mid/fast, with high-energy chaos improv. The cutesy chime of vibes next to careening, wild horns. Disturbingly long pauses, including one around -2:00, just to mess with you. SONG ENDS 10 SECONDS EARLY!
5- Bold midtempo horns, into a mystical electronics drone. Big tumultuous improv later. Second half is VERY quiet. You might want to play just the first half (or, for quiet late-night eerieness, just the second half).
Track Listing
1. | Hat And Beard | 3. | Gazzelloni | |||
2. | Something Sweet, Something Tender | 4. | Out To Lunch | |||
5. | Straight Up And Down / Will Be Back |