Postcards From The Highwire
Reviews
Fo
Reviewed 2007-10-28
Reviewed 2007-10-28
KAMIKAZE GROUND CREW: Postcards from the Highwire
Busmeat, 2007
ODDBALL CHAMBER-JAZZ – Hard to pin down as always, this inventive septet (originally from the Bay Area, now based in NYC) mixes up styles and instrumentation but maintains a warm, lighthearted sense of camaraderie. Neither mainstream nor “out,” this group walks its own path, easily bridging old-school and postmodern jazz ideas.
Fo’s Picks: Disc 1 – 2, 4, 6, 7 Disc 2 – 3, 4, 5, 6
DISC ONE:
1. 0:10 – bell tones
2. 4:03 – slow spiraling march, simple repeating melody, layered horns… nice
3. 2:06 – slow, romantic latin piano; cinematic horns & perc, enigmatic end
4. 9:38 – popping sax into a cool horn slide, a touch of funk, breakdown, soloists wrestle with insistent riffs, gloopy bounce near the end
5. 2:51 – slouching horn interlude, roams over melancholy tuba
6. 6:21 – classic blues tune: overlapping horns combine into a lowdown lope
7. 4:47 – swing!: tuba craziness into happy riffs and jaunty solos
DISC TWO:
1. 0:45 – tinkling bells
2. 9:44 – moody piano intro, slow horns speed way up, mellow interlude, builds back into a churning groove, ends as it began
3. 3:57 – Sly Stone tune: Slooow drag at first, perks up to relaxed stroll
4. 12:12 – sneaky groove with bobbing, undulating horns, relaxed sax solo, several murky interludes, trumpet over gliding groove, sparse end
5. 3:42 – Shakespeare as torchy swing ballad; lots of chatter, fades in & out
6. 9:15 – mysterious carnivale atmosphere, surges and slinks; soulful sax solo, haunting accordion, shifts to low drag over reggae beat!
[ Fo ] 28-Oct-07
Busmeat, 2007
ODDBALL CHAMBER-JAZZ – Hard to pin down as always, this inventive septet (originally from the Bay Area, now based in NYC) mixes up styles and instrumentation but maintains a warm, lighthearted sense of camaraderie. Neither mainstream nor “out,” this group walks its own path, easily bridging old-school and postmodern jazz ideas.
Fo’s Picks: Disc 1 – 2, 4, 6, 7 Disc 2 – 3, 4, 5, 6
DISC ONE:
1. 0:10 – bell tones
2. 4:03 – slow spiraling march, simple repeating melody, layered horns… nice
3. 2:06 – slow, romantic latin piano; cinematic horns & perc, enigmatic end
4. 9:38 – popping sax into a cool horn slide, a touch of funk, breakdown, soloists wrestle with insistent riffs, gloopy bounce near the end
5. 2:51 – slouching horn interlude, roams over melancholy tuba
6. 6:21 – classic blues tune: overlapping horns combine into a lowdown lope
7. 4:47 – swing!: tuba craziness into happy riffs and jaunty solos
DISC TWO:
1. 0:45 – tinkling bells
2. 9:44 – moody piano intro, slow horns speed way up, mellow interlude, builds back into a churning groove, ends as it began
3. 3:57 – Sly Stone tune: Slooow drag at first, perks up to relaxed stroll
4. 12:12 – sneaky groove with bobbing, undulating horns, relaxed sax solo, several murky interludes, trumpet over gliding groove, sparse end
5. 3:42 – Shakespeare as torchy swing ballad; lots of chatter, fades in & out
6. 9:15 – mysterious carnivale atmosphere, surges and slinks; soulful sax solo, haunting accordion, shifts to low drag over reggae beat!
[ Fo ] 28-Oct-07
Recent airplay
S'albufera
Virtually Happy — Apr 12, 2022
Habanera 3
No Cover, No Minimum — Apr 08, 2011
Habanera 3, Christopher Columbus
Music Casserole — Feb 26, 2011
S'albufera
No Cover, No Minimum — Dec 28, 2007
Everybody Is A Star
Crosscurrents — Dec 18, 2007
Shotgun Bouquet
Memory Select — Dec 14, 2007
Charting
2007-10-28 — 2007-12-30
Jazz
| Week Ending | Airplays |
|---|---|
| Dec 30 | 1 |
| Dec 23 | 1 |
| Dec 16 | 2 |
| Nov 18 | 1 |
| Nov 11 | 1 |
| Nov 4 | 2 |
Track listing
| 1. | Bells 1 | ||
| 2. | S'albufera | ||
| 3. | Habanera 1 | ||
| 4. | Shotgun Bouquet | ||
| 5. | Habanera 2 | ||
| 6. | I'm A Steady Rollin' Man | ||
| 7. | Christopher Columbus | ||
| 8. | Bells 2 | ||
| 9. | Love-Go-Round | ||
| 10. | Everybody Is A Star | ||
| 11. | Travels-Window-Canvas | ||
| 12. | O Mistress Mine | ||
| 13. | Habanera 3 |
