Escondido Dreams
Jazz
| Nov 2007
Reviews
Fo
Reviewed 2008-02-10
Reviewed 2008-02-10
WILSON/LEE/BENTLEY: Escondido Dreams
Drip Audio, 2007
Vancouver trio of guitar (Tony Wilson), cello (Peggy Lee) & saxes (Jon Bentley) in an eclectic set of avant/free music with some nice chamber-jazz excursions mixed in (1,4). It has an unforced, folkish sound that makes even the strangest twists seem natural, even traditional at times... gotta be the cello that does that.
Fo’s Picks: 1, 3, 4, 5, 7, 10, 11, 12
1. 4:19 – warm, dreamy, gently rocking rhythm: an appealing little tune
2. 2:43 – midtempo angularity: little themes bracket free playing
3. 3:26 – strange electro burblings undermine slow, somber melody
4. 7:44 – serious but folksy, with an unresolved feeling, gently lyrical middle
5. 3:16 – hollow metallic sounds, a dreamy gauze over an industrial scene
6. 1:21 – strange guitar manipulations, mostly left-channel
7. 3:37 – oddball propulsion, breaks down, drifts, gets noisy, floats away
8. 6:27 – slow, melancholy, unsettling: turns more ballad-like later on
9. 7:13 – overlapping lines, guitar drives a sharp groove, then quiet freefall
10. 3:04 – oblique theme, then crunchy free-jazz with surprising unity
11. 4:12 – noise guitar, then perky tiptoe melody, breakdown, relaxed tune
12. 3:10 – shards of melancholia, like a very dusty old room (with moths)
13. 6:52 – long tones, tragic & acidic, then falls into a harsh repetitive groove
14. 2:42 – scratchy strings like rasping breath under slow melody
[ Fo ] 10-Feb-08
Drip Audio, 2007
Vancouver trio of guitar (Tony Wilson), cello (Peggy Lee) & saxes (Jon Bentley) in an eclectic set of avant/free music with some nice chamber-jazz excursions mixed in (1,4). It has an unforced, folkish sound that makes even the strangest twists seem natural, even traditional at times... gotta be the cello that does that.
Fo’s Picks: 1, 3, 4, 5, 7, 10, 11, 12
1. 4:19 – warm, dreamy, gently rocking rhythm: an appealing little tune
2. 2:43 – midtempo angularity: little themes bracket free playing
3. 3:26 – strange electro burblings undermine slow, somber melody
4. 7:44 – serious but folksy, with an unresolved feeling, gently lyrical middle
5. 3:16 – hollow metallic sounds, a dreamy gauze over an industrial scene
6. 1:21 – strange guitar manipulations, mostly left-channel
7. 3:37 – oddball propulsion, breaks down, drifts, gets noisy, floats away
8. 6:27 – slow, melancholy, unsettling: turns more ballad-like later on
9. 7:13 – overlapping lines, guitar drives a sharp groove, then quiet freefall
10. 3:04 – oblique theme, then crunchy free-jazz with surprising unity
11. 4:12 – noise guitar, then perky tiptoe melody, breakdown, relaxed tune
12. 3:10 – shards of melancholia, like a very dusty old room (with moths)
13. 6:52 – long tones, tragic & acidic, then falls into a harsh repetitive groove
14. 2:42 – scratchy strings like rasping breath under slow melody
[ Fo ] 10-Feb-08
Recent airplay
Laxing Lizards Resume
Memory Select, early edition — Feb 26, 2010
Sinister Two
Memory Select: Glennie/Frith preview — Apr 18, 2008
Man And Dog
No Cover, No Minimum — Mar 21, 2008
Man And Dog
Hearsay (Eran) Culture (Mukamel) — Mar 19, 2008
Laxing Lizards Resume
No Cover, No Minimum — Mar 14, 2008
Laxing Lizards Resume
nag champa orangeasm — Mar 12, 2008
Charting
2008-02-18 — 2008-04-21
Jazz
| Week Ending | Airplays |
|---|---|
| Apr 20 | 1 |
| Mar 23 | 2 |
| Mar 16 | 2 |
| Mar 9 | 1 |
| Mar 2 | 1 |
Track listing
| 1. | Laxing Lizards Resume | ||
| 2. | Sinister Two | ||
| 3. | Floating Island | ||
| 4. | Man And Dog | ||
| 5. | Escondido Dreams | ||
| 6. | Tony's Solo | ||
| 7. | Frenetic Warrior | ||
| 8. | Max's Dream | ||
| 9. | Monkey Tree/Just Stories | ||
| 10. | Fornette | ||
| 11. | Mor Feen | ||
| 12. | Sweet Misery | ||
| 13. | Lemon | ||
| 14. | Killed To Death |