Chicago Spontaneous Combustion Suite
Reviews
Craig Matsumoto
Reviewed 2008-02-22
Reviewed 2008-02-22
Abstract improvisation from a horn-heavy quintet, mostly keeping to a jazzy feel but with touches of European "sound experiment" improv.
The 1- and 2-minute snippets are some of the best tracks, with a fun and direct approach -- they'd make nice interludes during any show. Longer tracks, such as the first three, tend to wander and favor a slower atmosphere -- rewarding, but requiring more patience.
Doesn't compare well to some of the improv efforts out of Europe (one jazz-related example being Tony Bianco and Paul Dunmall's "Hour Glass" album) ... the five members seem a bit too cautious, and that can bog down some of the longer tracks.
1- Perky horns at start; slows to a groaning middle section.
2- Long track. Starts with bruising aggression, later slips into a quieter, jazzy sound
3- Slow, bleating. Almost a jazzy feel. Some cool fast soloing near the end.
4- Brisk, jazzy, breezy
5- Perky fast chamber music, a bit fun
7- Burly baritone sax & jazzy drum rolling
8- A quick-stepping march, feels incomplete
9- Gets into some almost straight-jazz soloing and a fast toe-tapping triple-solo segment, after a quiet start. Mid/fast, nice.
10- Some dramatic bowed bass....
11- Slow horns
13- Careful horn lines, not entirely successful.
14- Drum solo: careful snare work
15- Bass solo
16- Solo bass trumpet
17- Solo trumpet
18- Fluttery sax solo
19- Spirited group improv, fairly fast, short.
The 1- and 2-minute snippets are some of the best tracks, with a fun and direct approach -- they'd make nice interludes during any show. Longer tracks, such as the first three, tend to wander and favor a slower atmosphere -- rewarding, but requiring more patience.
Doesn't compare well to some of the improv efforts out of Europe (one jazz-related example being Tony Bianco and Paul Dunmall's "Hour Glass" album) ... the five members seem a bit too cautious, and that can bog down some of the longer tracks.
1- Perky horns at start; slows to a groaning middle section.
2- Long track. Starts with bruising aggression, later slips into a quieter, jazzy sound
3- Slow, bleating. Almost a jazzy feel. Some cool fast soloing near the end.
4- Brisk, jazzy, breezy
5- Perky fast chamber music, a bit fun
7- Burly baritone sax & jazzy drum rolling
8- A quick-stepping march, feels incomplete
9- Gets into some almost straight-jazz soloing and a fast toe-tapping triple-solo segment, after a quiet start. Mid/fast, nice.
10- Some dramatic bowed bass....
11- Slow horns
13- Careful horn lines, not entirely successful.
14- Drum solo: careful snare work
15- Bass solo
16- Solo bass trumpet
17- Solo trumpet
18- Fluttery sax solo
19- Spirited group improv, fairly fast, short.
Recent airplay
Part 12
Memory Select — Apr 25, 2008
Part 4
Memory Select: Glennie/Frith preview — Apr 18, 2008
Part 9
Memory Select — Mar 14, 2008
Part 2 [excerpt]
Memory Select — Feb 29, 2008
Charting
2008-02-24 — 2008-04-27
Jazz
| Week Ending | Airplays |
|---|---|
| Apr 27 | 1 |
| Apr 20 | 1 |
| Mar 16 | 1 |
| Mar 2 | 1 |
Track listing
| 1. | Part 1 | ||
| 2. | Part 2 | ||
| 3. | Part 3 | ||
| 4. | Part 4 | ||
| 5. | Part 5 | ||
| 6. | Part 6 | ||
| 7. | Part 7 | ||
| 8. | Part 8 | ||
| 9. | Part 9 | ||
| 10. | Part 10 | ||
| 11. | Part 11 | ||
| 12. | Part 12 | ||
| 13. | Part 13 | ||
| 14. | Part 14 | ||
| 15. | Part 15 | ||
| 16. | Part 16 | ||
| 17. | Part 17 | ||
| 18. | Part 18 | ||
| 19. | Part 19 |