| Kim Ki O / En Az Iki, En Fazla Sekiz |
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| Album: | En Az Iki, En Fazla Sekiz | Collection: | General | |
| Artist: | Kim Ki O | Added: | Apr 2008 | |
| Label: | Slusaj Najglasnije! | |||
| A-File Activity |
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| Add Date: | 2008-06-29 | Pull Date: | 2008-08-31 |
| Week Ending: | Aug 3 | Jul 27 | Jul 13 | Jul 6 |
| Airplays: | 2 | 2 | 2 | 4 |
Recent Airplay
| 1. | Jun 16, 2010: | Brownian Values Gene Oldu | 4. | Jul 30, 2008: | A2Z Serbest Kalp Dusmesi | |
| 2. | Jan 22, 2010: | A2Z Kapali Kapali Kapali | 5. | Jul 29, 2008: | Streams, Highways, and Electrical Grids Serbest Kalp Dusmesi | |
| 3. | Feb 01, 2009: | Music to Make Babies To Varlar, Goklar | 6. | Jul 26, 2008: | Bloodstains Across Atherton-Kick Now Serious Ass! Serbest Kalp Dusmesi |
| Album Review |
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| Ragnar of Ravensfjord Reviewed 2008-06-15 | ||
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Awesome duo from Turkey playing bassy, indie-psych/post-punk. Faint but very pleasant female vocals, wavering, glowing electronics, lots fuzzy bass and funky drums. In all a great album that takes from the early 80’s, mid-90s and now. Nearly every song’s a winner. Play next to Pram, Stereolab, Sonic Youth, Joy Division’s, Dump's "International Airport". (((((1)))))) Pretty synth sound, fuzzy bass, soft female vox. ((((((2)))))) Wonderful! “Plinky”, electronic sound, faded vocals, big bass very early 90’s indie with a few hints of early 80’s post-punk. ((((((3)))))) Quick tempoed and very reminiscent of Joy Division’s “Isolation” but with more piano sound. ((((((((4)))))))) PERFECT!, “bliss pop”/indie rock at its finest. What all indie rock should strive for: feeling, heart and soul. (((((5)))) Loose, funky, odd-metered bassy. (((((6))))) Slinky, twinkling electronics with extremely catchy vocals (in Turkish but super easy to follow regardless) and melodies. ((((((7))))) 80’s new wave synth and bass, later scrambled into a hazy, sci-fi oddness. ((((8)))) Light & airy electronics, sparse programmed beats. The vocals just float in the clouds. A bunch of samples near the end. (((((9))))) Lo-fi, kind of noisy re-mix of #3. Lots of feedback & spoken vocals. | ||
| Track Listing |
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