| Music Tapes, The / Music Tapes For Clouds And Tornadoes |
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| Album: | Music Tapes For Clouds And Tornadoes | Collection: | General | |
| Artist: | Music Tapes, The | Added: | Aug 2008 | |
| Label: | Merge Records | |||
| A-File Activity |
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| Add Date: | 2008-11-30 | Pull Date: | 2009-02-01 |
| Week Ending: | Feb 1 | Jan 25 | Jan 18 | Jan 11 | Jan 4 | Dec 21 | Dec 14 | Dec 7 |
| Airplays: | 2 | 3 | 3 | 2 | 2 | 1 | 1 | 6 |
Recent Airplay
| 1. | Aug 31, 2011: | bricolage Song For Oceans Falling | 4. | Dec 10, 2009: | Musically Assured Destruction The Minister Of Longitude | |
| 2. | Dec 07, 2010: | No Dead Air Majesty | 5. | Oct 08, 2009: | Musicially assured destruction Nimbus Stratus Cirrus (Mr. Piano's Majestic Haircut) | |
| 3. | Feb 04, 2010: | orangeasm Nimbus Stratus Cirrus (Mr. Piano's Majestic Haircut) | 6. | May 28, 2009: | best of orangeasm part i Majesty |
| Album Review |
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| Danny Neumann Reviewed 2008-11-14 | ||
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Free-form, lilting, lo-fi, psychedelic. Sounds like scratchy field recordings of traditional British and Irish songs. Throaty, emotive singing, which often breaks into rubato solos (ie, free tempo). The musical saw and heavily-plucked banjo chords are featured on almost every track. Lots of other whimsical instruments. By a past member of Neutral Milk Hotel, this is your typical Elephant 6 Collective album. This guy seems pretty bright and takes his music seriously. No detectable FCCs, Main picks: 4, 5, 15 1) (1:22) Ghostly singing saw, throaty singing, ping pong ball tapping noises, dramatic classic movie strings. Starts sparse, gets pretty trippily layered. Starts crying out names of clouds. 2) (0:55) Just singing saw, with some distortion. Creepy. 3) (2:59) Sparse, plodding, with heavily plucked banjo. Same throaty singing. ** 4) (2:45) Great song. Noisy, percussive, exuberant, epic. Poppy, catchy. Heavily reminiscent of Olivia Tremor Control. ** 5) (2:45) At first, waltzy, drifting, with a ghostly chorus of singing saws. Becomes upbeat, with this incredibly catchy piano line with tambourine. No vocals except “Nimbus, Stratus.” 6) (3:14) A little reflective. Accordion. Has this percussive triplet line that starts and stops, punctuated by emotive singing. A lot like Radiohead’s Exit Music. * 7) (3:58) Another lilting song, also somewhat reflective. Builds up with that singing saw sound, violins, a folksy bass line. 8) (6:04) Pokey, sparse, sadder song. Sounds like it’s played on an old scratchy vinyl. Dramatic singing saw and brass at the end, with maybe some accordion. Gets sparse again, yelpy, emotive and sad. * 9) (0:54) Just singing saws this time. Sounds like a chorus of ghosts. Dramatic, rich, and yes, creepy. * 10) (4:46) Strong, upbeat, very similar to Beatles at points. Military drumming. Incongruous fill every so often with solo euphonium and percussion. 11) (3:38) Sounds a lot like other tracks on this album. Sparse with heavily-plucked banjo chorded and yelpy vocals. * 12) (1:01) The ghost chorus makes a reappearance. More delicate and pretty this time. ** 13) (4:48) Banjo, strings (viola, cello heavy), free form, ¾ waltz. I’m getting this uncontrollable urge to start clog dancing. Cool plucked strings part. Momentum comes in and out. 14) (0:32) Beautiful, antique solo baritone voice, with background noise and talking. ** 15) (3:40) Carefree, tom-heavy drumming, vocal dum-dum-dum’s and warm scratchy synth, in swung 5/4 time -dannyn | ||
| Track Listing |
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