Further Secret Origins

Young, Katherine
Porter Records
General | Nov 2009

Reviews

Wedge
Reviewed 2010-02-07
Droney but active landscapes on solo bassoon, often with electronic effects (including subtle beats) and/or overdubs. It rewards close listening with wisps of melody that do add up to a whole, a story. Two particularly cool tricks: high multitone sounds that resemble harmonica, and low percussive pulses (you can hear both on track 4).

From a Brooklyn new-classical artist who's played in Anthony Braxton ensembles and also a pop band called The Fancy. (Unrelated to Todd Fancy.) Instrumental, FCC clean.

1- (4:00) A freighter blast, followed by quiet wheezes, then a low pulsing
2- (8:04) Gruff and almost bluesy. Active, non-droney piece.
3- (4:39) Whispery, liquidy sounds. Later, high harmonica-like squeaks
4- (14:40) Raspy gentle tones, clipped short like tentative harmonica notes, played over a subtle, irregular pulse. A whispered song that's not in a hurry. Great track but long.
5- (8:01) Long, raspy drone-tones, building tension. Opens with normal bassoon, in chirps and tweaks.
6- (2:06) Dirge tune, a small chorus of sad bassoons. Melodic, nice harmony.
7- (4:53) Long, low tones evoking an eternal sea.

Recent airplay

Relief
Memory SelectApr 02, 2010
Terra Incognita
Orbis Tertius
orangeasmMar 25, 2010
Elevation
Memory SelectMar 12, 2010
Patricia Highsmith
On The WarpathFeb 27, 2010
Terra Incognita
Music CasseroleFeb 27, 2010

Charting

2010-02-21 — 2010-04-25 Classical/Experimental
Week EndingAirplays
Apr 4 1
Mar 28 2
Mar 14 1
Feb 28 5

Track listing

1. Terra Incognita
2. Patricia Highsmith
3. Elevation
4. For Autonauts, For Travelers
5. Relief
6. Some People Say That She Doesn't Exist
7. Orbis Tertius