| Rammstein / Liebe Ist Für Alle Da |
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| Album: | Liebe Ist Für Alle Da | Collection: | General | |
| Artist: | Rammstein | Added: | 11/2009 | |
| Label: | Universal Records | |||
| A-File Activity |
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| Add Date: | 2009-12-06 | Pull Date: | 2010-02-07 |
| Week Ending: | 31 Jan | 17 Jan | 13 Dec |
| Airplays: | 1 | 2 | 1 |
Recent Airplay
| 1. | Apr 15, 2011: | Aural Surgery Halt/Stop | 4. | Jan 10, 2010: | late night veggies B********/Büchstabü | |
| 2. | Jan 29, 2010: | Everyday Commotion Haifisch/Shark | 5. | Dec 12, 2009: | Bloodstains Across Atherton-Hail Abudaadeen! Haifisch/Shark | |
| 3. | Jan 12, 2010: | Ambient Annoyance Roter Sand (Orchester Version) | ||||
| Album Review |
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| Ragnar of Ravensfjord Reviewed 2009-11-29 | ||
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Double album for the masters of Deustch “Neu “Neu Deutschhartmusik” (New German “Hard [Rock] Music”). It’s really catchy and oftentimes fun. Rarely does it get so repetitive that it’s annoying. Often bombastic and anthemic. Despite the harsch-ness of the vocal delivery and presentation the album title means “Love is there for all”. The all Deutsch lyrics help and not hinder Rammstein. Nothing all-that controversial. I leave you to Schule or Google translate for the rest. Sure they they take a strong influence from the likes of Laibach but they have given them their blessing – even collaborating on a song together. Das ist gut musik, ja! Disc I/Ein ((((1)))) Slow ambient intro into heavy guitars and sputtering beat then synth & deep vocals vs. light backing chorus. (((((2))))) Cycling electronics, jud-jud heavy rock riffs and more electronics. Nice, kinda swingy/cabaret tempo. Very catchy even if you don’t know Deutsch. (((((3))))) Laibach-style opening. Comes across like a Teutonic Judas Priest with a modern chorus. Rad! (((((4)))) WaxTrax! style late 80’s electronic into modern, “march-tempo” Deutsch Rock. Good use of rolling “r”. Plus a “riff-nick” of “Radio Clash”. (((((5))))) Bombastic, hard/modern Metalisch Rock. "Title means - Bückstabü", “a word made up by the band to mean whatever the listener wants it”. (((((6))))) Nice acoustisch/hard rock ballad about Spring in Paris. Very good vocals. ((((7)))) Vocal-centric, very silly but amusing with chunks of bombast. Didn’t think that Vien was so dünkleheit er, dark. (((8))) TOO MANY FCCs –AVOID! (Though, another case of Germans DEFINITELY having a sense of humor. Worst song ever as potential pick up line). (((((9))))) Thrash Metal intro then more like again a Teutonic Judas Priest. Good vocal delivery, too. ((((10)))) Electronic & vocal based with some big upfront riffing. Very character-based performance. ((((11)))) Whistling, slow melancholic balladry. More rolling “r”. Sounds like it should be in a Wim Wenders or Werner Hertzog movie. DISC II/Zwei (((1))) Basic riff that would easily fall apart in lesser hands, typical Rammstein-ian , over-the-top vocals, decent chorus but too redundant. ((((2)))) Trippy intro, semi-ballad with a lot of Germanic grandeur. ((((3)))) Distant then big Metal-isch riff (not unlike Ministry or later-era Metallica) goes into bombastic heavy rock. Very interesting, dramatic vocals. ((((4)))) Different mix of track #11 with more bass and orchestral backing.”Acccchhhkkkk-das Blut…” (((5))) Part 2 of the last track with more whilsting & bass. | ||
| Track Listing |
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