| Desintegray / Desintegray |
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| Album: | Desintegray | Collection: | General | |
| Artist: | Desintegray | Added: | 01/2010 | |
| Label: | Slusaj Najglasnije! | |||
| A-File Activity |
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| Add Date: | 2012-04-14 | Pull Date: | 2012-06-17 |
| Week Ending: | 10 Jun | 22 Apr |
| Airplays: | 1 | 2 |
Recent Airplay
| 1. | Jun 07, 2012: | The Fall of Math Reason For Dying = Reason For Living | 3. | Apr 19, 2012: | The Fall of Math [single precision] Few Words From Our Sponsors | |
| 2. | Apr 21, 2012: | no voices aloud Around Axis | ||||
| Album Review |
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| Karpediem Reviewed 2012-04-04 | ||
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Epic rock jams verging on both metal and psychedelia, mostly instrumental save 2 songs with heavily distorted vocals. All songs have a slow, lamenting feel. Favorite Tracks are 1, 8, and 11, although they are all about equally as interesting. FCC CLEAN. **1) Around Axis (3:35): slow, sad twangy guitar instrumental 2) And We Reached for the Outside (5:28): Slow lament, with wind instruments and two heavily manipulated voices that dissonantly speak. Fitting guitar solo at the end of the song. 3) Downing (3:42): Slow distorted guitar instrumental 4) Another Step Forward (4:56): Downbeat instrumental (save one spoken line) that conveys a sense of foreboding. 5) Few Words from our Sponsors (3:50): Brooding instrumental with distorted guitars overlaid on a repetitive guitar arpeggio. 6) Floating Warmth (0:54): melodic, slightly psychedelic guitar interplay. Becomes a bit dissonant near the end. 7) I Have Lost a Dream and He’s Nowhere to be Found (3:47): Another slow, sad guitar-based song with heavy reverb on the vocals, which are mostly talking. Some guitar solos between verses verge on metal/grunge, others verge on mariachi. **8) Reason for Dying=Reason for Living (4:33): Slow instrumental with echoing drums. If I were in a doctor’s waiting room and this song were playing, I’d probably be a thousand times more anxious. Mood gets lighter and more hopeful in the last minute and a half. At 4:00, random snippets of rock songs (I think I hear Sympathy for the Devil?) begin to play. Cut the song at 4:00. 9) Those who Tell the Truth Shall Die (5:34): Crawling introduction turns into a blast of power chords. At 2:20 the song changes direction, softening and slowing. Then the power chords pick up again to conclude the song. 10) Mouthful of Rain (2:05): Police-like guitar riff with distorted guitars soloing over it. **11) Thick Air (4:14): Wailing guitar with lots of natural sounds in the background (birds tweeting, water rushing, wind chimes) | ||
| Track Listing |
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