In The Ruff
Reviews
HYPRK
Reviewed 2010-02-28
Reviewed 2010-02-28
The debut full-length from Diamond District, a new hip hop trio out of Washington D.C. The group is comprised of Oddisee, X.O. and YU. Oddisee produces the beats and all three members contribute verses in quick, sharp flows with focus on phonetics—the often-neglected power of lyrical rhythm. No one rapper tries to outdo the others, there is a strong emphasis on teamwork. The production is excellent—an extremely varied mix of samples and stripped down drums creating a very gritty East Coast feel. Nothing too cliché, but at the same time there is nothing too left-field and experimental. An excellent release—versatile enough to fit into any setlist.
FCC CLEAN TRY: 4,6,9,13,2,
1. One minute intro track explaining the album over looped piano riffs and drum machine.
*2. Big band samples, looped sample of “streets won’t let me chill.” Quick articulate rhymes, personal narratives, very gritty very street.
3. Heavy drum beats, a looped keyboard line that sounds just like the organs in DJ Shadow’s “Organ Donor.” Metaphors about pawn shops, street living, making a name for yourself, Rasta. As the title suggests it’s pretty self-righteous
*4. Great production: chopped samples of string instruments and piano woven together to create an interesting if repetitive kaleidoscope of sound—sounds great when fleshed out by steady 808 drums. Quick flow, great articulation.
5. Subtle organ lines mixed with staccato jazz drum samples. The blistering, almost-out-of-breath rap discusses globalization and its implications of religions like Islam.
*6. Excellent, aggressive beat: sharp drums, looped bells, blaring hones. Quick, agile lyrics “raise your hands in the air” chorus. Numerous D.C. references.
7. Lyrics about “living the high life” and struggling to get to the top. Strings, female vocals in the background.
8. Describes how Diamond Discrict is the metaphorical “beacon of truth” in the dark gritty streets of D.C.
*9. A tribute to their D.C. home: describing the cold bitter reality of life in the streets, a failing economy, and social/racial injustices. Interesting varied beats made from a stutter step drumbeat paired with organ lines, strange sound effects, and guitar stabs.
10. Funky-fresh samples paired with dancey organ lines. High-energy breakbeat.
11. Steady, chill flow on this steamy love song. Smooth, sugary female vocals in the background.
12. Presents some pretty classic themes (girls, material wealth, “buying your dreams”) but this time with some really clever, novel rhymes. Very witty. Minimal piano loops, bits of jazz lines and the occasional chopped soul vocal in the background.
*13. A laidback personal narrative--coming-of-age stories and childhood memories. Old soul sample loops complete with the vinyl static are a perfect backdrop.
FCC CLEAN TRY: 4,6,9,13,2,
1. One minute intro track explaining the album over looped piano riffs and drum machine.
*2. Big band samples, looped sample of “streets won’t let me chill.” Quick articulate rhymes, personal narratives, very gritty very street.
3. Heavy drum beats, a looped keyboard line that sounds just like the organs in DJ Shadow’s “Organ Donor.” Metaphors about pawn shops, street living, making a name for yourself, Rasta. As the title suggests it’s pretty self-righteous
*4. Great production: chopped samples of string instruments and piano woven together to create an interesting if repetitive kaleidoscope of sound—sounds great when fleshed out by steady 808 drums. Quick flow, great articulation.
5. Subtle organ lines mixed with staccato jazz drum samples. The blistering, almost-out-of-breath rap discusses globalization and its implications of religions like Islam.
*6. Excellent, aggressive beat: sharp drums, looped bells, blaring hones. Quick, agile lyrics “raise your hands in the air” chorus. Numerous D.C. references.
7. Lyrics about “living the high life” and struggling to get to the top. Strings, female vocals in the background.
8. Describes how Diamond Discrict is the metaphorical “beacon of truth” in the dark gritty streets of D.C.
*9. A tribute to their D.C. home: describing the cold bitter reality of life in the streets, a failing economy, and social/racial injustices. Interesting varied beats made from a stutter step drumbeat paired with organ lines, strange sound effects, and guitar stabs.
10. Funky-fresh samples paired with dancey organ lines. High-energy breakbeat.
11. Steady, chill flow on this steamy love song. Smooth, sugary female vocals in the background.
12. Presents some pretty classic themes (girls, material wealth, “buying your dreams”) but this time with some really clever, novel rhymes. Very witty. Minimal piano loops, bits of jazz lines and the occasional chopped soul vocal in the background.
*13. A laidback personal narrative--coming-of-age stories and childhood memories. Old soul sample loops complete with the vinyl static are a perfect backdrop.
Recent airplay
In The Ruff
RipRidah Radio — Jun 21, 2010
Streets Won't Let Me Chill
408's Finest — Apr 06, 2010
Streets Won't Let Me Chill
408's Finest — Mar 30, 2010
Back To Basics
FLASHBANGRADIO — Mar 07, 2010
Back To Basics
FLASHBANG TIDBITTT — Mar 05, 2010
Make It Clear
Sunshine ... in the Afternoon — Mar 03, 2010
Charting
2010-02-28 — 2010-05-02
Hip-Hop
| Week Ending | Airplays |
|---|---|
| Apr 11 | 1 |
| Apr 4 | 1 |
| Mar 14 | 1 |
| Mar 7 | 3 |
Track listing
| 1. | Intro | ||
| 2. | Streets Won't Let Me Chill | ||
| 3. | Who I Be | ||
| 4. | Back To Basics | ||
| 5. | I Mean Business | ||
| 6. | Get In Line | ||
| 7. | In The Ruff | ||
| 8. | The Shining | ||
| 9. | The District | ||
| 10. | Make It Clear | ||
| 11. | Off The Late Night | ||
| 12. | Let Me Explain | ||
| 13. | First Time | ||
| 14. | Something For Ya'll | ||
| 15. | Hologram |