Veloso, Caetano / Zii E Zie |
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Album: | Zii E Zie | Collection: | World | |
Artist: | Veloso, Caetano | Added: | 04/2010 | |
Label: | Nonesuch Records |
A-File Activity |
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Add Date: | 2010-06-06 | Pull Date: | 2010-08-08 | Charts: | Reggae/World |
Week Ending: | 8 Aug | 1 Aug | 25 Jul | 11 Jul | 27 Jun | 13 Jun |
Airplays: | 1 | 1 | 2 | 2 | 1 | 4 |
Recent Airplay
1. | Apr 05, 2017: | At the Cafe Bohemian Tarado Ni Voce | 4. | Sep 17, 2010: | Friday Jazz Hour(s) Base De Guantanamo | |
2. | Sep 10, 2013: | Tropical Tuesday A Cor Amarela | 5. | Aug 03, 2010: | At the Cafe Bohemian Base De Guantanamo | |
3. | Sep 23, 2010: | Happy Hour Base De Guantanamo | 6. | Jul 31, 2010: | New World Disorder A Cor Amarela |
Album Review |
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Decca Reviewed 2010-06-01 | ||
The Brazilian superstar’s 41st album. The foundation is samba. The filter is rock. Sexy vocals, hip arrangements and compositions and surprisingly intimate and then, out of nowhere, comes an electric guitar or a bit of funk. Unpredictable and all so good. *1. Sleepy, sexy, and light with a deceptively simple sound. *2. Warm and sweet w/e-guitar keeping things from getting dull. 3. Dreamy trip w/subtle accents of jazz and a hint of spaciness. 4. Midtempo ramble w/a solid beat that picks up power. Cool. *5. Flat out rock from the start w/fast vocals and power. *6. Funky protest song, anti Guantanamo. Downtempo & hip. 7. Mid/upbeat w/dreamy vocals and a dark sensibility. 8. Midtempo w/a driving beat and great grungy bits at end. *9. Mid/upbeat w/solid e-guitar jams and falsetto vocals. 10. Fast and jangly, cool work from the ultra hip band. *11. Mid/uptempo sophisticated modern samba rock. 12. Midtempo w/some dreamy keyboards. *13. Sweet modern samba w/a sound both modern & retro. |
Track Listing |
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1. | Perdeu | 7. | Falso Leblon | |||
2. | Sem Cais | 8. | Incompitibilidade De Genios | |||
3. | Por Quem? | 9. | Tarado Ni Voce | |||
4. | Lobao Tem Razao | 10. | Menina Da Ria | |||
5. | A Cor Amarela | 11. | Inguenuidade | |||
6. | Base De Guantanamo | 12. | Lapa | |||
13. | Diferentemente |