Buzzcocks / Another Music In A Different Kitchen
Album:Another Music In A Different Kitchen Collection:Digital
Artist:Buzzcocks Added:Apr 2010
Label:Domino/United Artists Records 

A-File Activity
Add Date:2019-03-12 Pull Date:2019-05-14 
Week Ending:May 12May 5Apr 28Apr 21Apr 14Apr 7Mar 31Mar 24
Airplays:23232213

Recent Airplay
1.May 02, 2023:The Modern World
No Reply, Fast Cars
4.May 15, 2019:Brownian Motion
Fast Cars
2.Jul 01, 2021:Magnetized Toner (rebroadcast from Mar 19, 2019)
Fast Cars
5.May 11, 2019:Music Casserole
Fiction Romance
3.May 18, 2019:Emergency Crew (Sub for Audio Ambrosia)
Fast Cars
6.May 08, 2019:The Library
Fast Cars

Album Review
Telepathic Juan
Reviewed 2019-03-20 
Another Music In A Different Kitchen is the seminal debut album by Bolton, England punkers, The Buzzcocks. Responsible not only for co-inventing punk along with the Ramones, their debut album is also an unstoppable exercise in energy and sonic pace complemented by snooty accents, witty remarks, and a unique sense for pop melody. Originally released in 1978. Reissued album comes with a great booklet. One of the best records of the late 20th century.

Something else from the press release:
To mark the 40th anniversary of the original releases, Domino Records is very proud to announce the re-issue of Buzzcocks seminal first album, Another Music In A Different Kitchen.

Recorded at Olympic Studios in London between December 1977 and January 1978 with producer Martin Rushent and featuring the line-up of Pete Shelley (vocals / guitar), Steve Diggle (guitar / vocals), Steve Garvey (bass) and John Maher (drums), Another Music In A Different Kitchen was released in March 1978 featuring a distinctive cover by Malcolm Garrett whose work would become inextricably linked with the band.

Famously taking their name from ‘It’s the buzz, cock’, a headline from a Time Out review of 1970s TV music drama Rock Follies, Buzzcocks formed in Bolton in 1976 by Pete Shelley and Howard Devoto, who have a strong claim to have kick-started a musical revolution in Manchester having organized and played at the now infamous Sex Pistols show at Manchester’s Lesser Free Trade Hall in 1976, a show which inspired and spawned the likes of Joy Division, The Fall, and The Smiths.

RIYL: Buzzcocks!

FCC WARNING: 3?
Recommended Tracks: 1, 2, 3, 4, 5, 7, 8, 9, 10,

1. (2:26) ***Fast Cars – Fast tempo cut, loud guitars, urgent. Play it!
2. (2:16) **No Reply – Takes off at :13. Another fast and stylish sonic statement.
3. (2:27) *You Tear Me Up – [FCC? Goddamn]. Punk 101 here. Vivid and melodic.
4. (2:26) **Get on Our Own – Upbeat recording. The beginning of power pop?
5. (2:09) ***Love Battery – Fast tempo cut, loud guitars, urgent Part II.
6. (3:38) Sixteen – Fast rocker here. Part pub rock, part, flamenco rock.
7. (2:18) ***I Don't Mind – Upbeat! Punk? Power pop? Another classic!
8. (4:27) ***Fiction Romance – Medium-up tempo, Killer guitar work, great vocal melody. Play it!
9. (3:43) **Autonomy – Fast guitars here. Part pub rock, part, power pop. Solid.
10. (2:43) ***I Need – Punk 101 here. Vivid and melodic Part II. Another impeccable track.
11. (7:06) Moving Away from the Pulsebeat – Upbeat track. Tribal beat, sharp guitars, passionate vocals. By minute 5:25, track ends then silence then by minute 5:55 a really short instrumental epilogue of the song emerges ending with a guitar made pulse sound until if fades away. Punk you.

Track Listing
1.Fast Cars 7.I Don't Mind
2.No Reply 8.Fiction Romance
3.You Tear Me Up 9.Autonomy
4.Get On Our Own 10.I Need
5.Love Battery 11.Moving Away From
6.Sixteen 12.The Pulsebeat