Long Time Comin'
Jazz
| Jan 2011
Reviews
Fo
Reviewed 2011-01-30
Reviewed 2011-01-30
MARTY WILLIAMS: Long Time Comin’
InMoonBay, 2010
JAZZ VOCALS – Bay Area pianist/singer Williams offers up classic soul-jazz with a great craggy voice and a bluesy/r&b delivery that’s part Oscar Brown, part Dr. John and all cool. Solid band anchored by the always-marvelous Ruth Davies on bass. Really likeable stuff here.
Fo’s Picks: 3, 6 … also 2, 4, 7, 10, 11, 12
1. 6:02 – late-night creep: soft edges, soulful croon & nice instrumental break
2. 6:37 – cool groove for this standard, spare piano & cool guitar at the fore
3. 4:57 – slow ‘n’ funky: a great, extra-greasy version of the Beatles tune
4. 5:50 – slick groove, somewhat cleaned-up version of a sassy classic
5. 5:59 – starts solo as a spare, lilting waltz; switches to a light quartet swing
6. 7:38 – walkin’ groove with attitude: everyone sounds great, esp. bass/piano
7. 4:49 – upbeat stroll with a gospel touch, sort of a Lou Rawls feel, guitar solo
8. 5:37 – cute twist on a Thelonious Monk tune; quirky lyric, swinging breaks
9. 3:14 – breezy ‘60s showtune/standard, gets right to the point, upbeat solos
10. 6:14 – another ‘60s staple, slow & soulful with a poignant touch; well done
11. 7:27 – happy, strolling standard: solos have a nicely casual feel
12. 7:30 – slow and haunting, but with romantic flourishes and bluesy breaks
[ Fo ] 01/30/11
InMoonBay, 2010
JAZZ VOCALS – Bay Area pianist/singer Williams offers up classic soul-jazz with a great craggy voice and a bluesy/r&b delivery that’s part Oscar Brown, part Dr. John and all cool. Solid band anchored by the always-marvelous Ruth Davies on bass. Really likeable stuff here.
Fo’s Picks: 3, 6 … also 2, 4, 7, 10, 11, 12
1. 6:02 – late-night creep: soft edges, soulful croon & nice instrumental break
2. 6:37 – cool groove for this standard, spare piano & cool guitar at the fore
3. 4:57 – slow ‘n’ funky: a great, extra-greasy version of the Beatles tune
4. 5:50 – slick groove, somewhat cleaned-up version of a sassy classic
5. 5:59 – starts solo as a spare, lilting waltz; switches to a light quartet swing
6. 7:38 – walkin’ groove with attitude: everyone sounds great, esp. bass/piano
7. 4:49 – upbeat stroll with a gospel touch, sort of a Lou Rawls feel, guitar solo
8. 5:37 – cute twist on a Thelonious Monk tune; quirky lyric, swinging breaks
9. 3:14 – breezy ‘60s showtune/standard, gets right to the point, upbeat solos
10. 6:14 – another ‘60s staple, slow & soulful with a poignant touch; well done
11. 7:27 – happy, strolling standard: solos have a nicely casual feel
12. 7:30 – slow and haunting, but with romantic flourishes and bluesy breaks
[ Fo ] 01/30/11
Recent airplay
Come Together
1-14-2015 — Jan 14, 2015
Come Together
No Cover, No Minimum — Dec 27, 2013
Compared To What, Come Together
No Cover, No Minimum — Apr 01, 2011
Mercy, Mercy, Mercy
No Cover, No Minimum — Mar 11, 2011
Caravan
Rebop — Mar 08, 2011
Sunny
Icecaps of White Noise — Feb 23, 2011
Charting
2011-01-30 — 2011-04-03
Jazz
| Week Ending | Airplays |
|---|---|
| Apr 3 | 1 |
| Mar 13 | 2 |
| Feb 27 | 2 |
| Feb 20 | 1 |
| Feb 13 | 1 |
| Feb 6 | 4 |
Track listing
| 1. | Brother (Where Are You) | ||
| 2. | Caravan | ||
| 3. | Come Together | ||
| 4. | Compared To What | ||
| 5. | Falling In Love Again | ||
| 6. | Love For Sale | ||
| 7. | Mercy, Mercy, Mercy | ||
| 8. | Monk's Dream | ||
| 9. | On A Clear Day | ||
| 10. | Sunny | ||
| 11. | Sweet And Lovely | ||
| 12. | The Look Of Love |