Fifty minutes of noise and musique concrete over two tracks; the label says this was recently described by Los Angeles Free Music Society champion Takuya Sakaguchi as "high-velocity psychedelic electronic punk," and that's a good start. There are even some guitars on this album. Play this if you've ever listened to a Jliat album in full and thought it was great but lacked diversity

1 (28:45) Rock'n'roll broken car engine, rock'n'roll blues riff, bedsprings pounding, birds, vocal samples interrupted by chickens and creepy beeps: for the first three minutes or so. After that it's 25 minutes of whirring knob-turning and static over patches of steel, voices, silence, and alien and human death alike. Transmitter meltdown music, would go well to precede transmitter off music

2 (21:31) Play on continuous after track 1 for 47 minutes of meltdown instead of 26; the urge seems almost irresistible