Heirs Of The Fire
Reviews
Adam Pearson
Reviewed 2011-07-29
Reviewed 2011-07-29
Droning, goopy, foggy bliss. Landscapes and sweeping, dreamy atmospheres with an emphasis on guitar, samples, vocals, and minimal percussion. Both sides transport the listener to a nautical, otherworldly, navel-gazing, hypnotic trance. This evolves slowly but pays hearty dividends to those who invest the attention. Xela used to be more IDM-minded early in his career, but he has developed into an ambient drone stalwart. This slab is from our friends at SMTG. I recommend side A if you don’t have the huevos rancheros to give up 23 minutes.
Side A: Dreamy cooing looped vocals and layers of gentleness. Halfway through, vocals drift out and some distant, soaked guitar hypnotizes and meditates. The whole track features light, tingling, chimey percussion. Lo-fi ambient bliss. (11:23)
Side B:. Windy, cyclic trudging-through-snow loop, wine glass eerie reverbed chimes. With around 10 minutes left, warbled distant vocals and sirens come in. Sea-faring drifting into a foggy whirlpool. Last 6 minutes are distorted and scary (22:57)
Side A: Dreamy cooing looped vocals and layers of gentleness. Halfway through, vocals drift out and some distant, soaked guitar hypnotizes and meditates. The whole track features light, tingling, chimey percussion. Lo-fi ambient bliss. (11:23)
Side B:. Windy, cyclic trudging-through-snow loop, wine glass eerie reverbed chimes. With around 10 minutes left, warbled distant vocals and sirens come in. Sea-faring drifting into a foggy whirlpool. Last 6 minutes are distorted and scary (22:57)
Recent airplay
II [excerpt]
Memory Select — Sep 21, 2011
Ii
sounds — Sep 16, 2011
Ii
Morning Songs — Sep 13, 2011
Ii, I
Songs: CANTAN — Sep 09, 2011
I
don't hate me because i'm beautiful still — Sep 08, 2011
Ii
meow — Sep 03, 2011
Charting
2011-07-31 — 2011-09-18
Classical/Experimental
| Week Ending | Airplays |
|---|---|
| Sep 18 | 2 |
| Sep 11 | 2 |
| Sep 4 | 3 |
| Aug 28 | 1 |
| Aug 21 | 1 |
| Aug 7 | 1 |
Track listing
| 1. | I | ||
| 2. | Ii |